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SiteWorks: San Francisco performance 1969-85

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Dianne Blell confronted the infamous “topless” district of San Francisco and its standards of public morality with a painting of a nude torso on a billboard. It was made from a photograph which she had staged of a female in the classical…

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Two performers wearing video camera headmounts and equipped with intercoms create two drawings on two gridded walls within a wedge shaped enclosure. Their markings are guided by a female director on the floor above them. She speaks in a code based on…

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Color television sets may be dangerous to your health.

On July 25, 1975, Ant Farm (Curtis Schreler, Chip Lord and Doug Michels) accompanied by Dr. Rlin Finston, Senior Health Physicist of Stanford University’s Health Physics Office, made random…

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Meredith Tromble: In the performance Walking Mission Street (1976) you and Jody Proctor traversed the entire eight-mile length of Mission Street in San Francisco, walking in silence. Was the point of that piece to create an inner experience of the…

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This piece took place in a store-front place over a period of seven days, at varying times and duration, once each day. One of the two windows was covered, while one was left clear. The piece could be viewed only from the outside. In the clear…

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The piece took place in Eleanor Coppola’s home. Two museums wanted us to do something in her house and we just decided that instead of giving the a tour we would turn the entire house into a game board. So we used the floor plan as a kind of…

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Kennedy appeared in a long black car with an American flag on each fender. Well-groomed men in dark suits trotted alongside. The car stopped behind the bunting-draped speaker’s platform, and the man introduced as Kennedy bounded up the stairs.…

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On 4 July, 1975 members of Ant Farm will drive a Phantom Dream Car through a wall of burning television sets in an event called MEDIA BURN.

MEDIA BURN is not a sensational daredevil stunt, rather it is a way of alleviating the frustration of…

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[…] took place in a large empty garage in San Francisco in November 1974. In the dark room I placed two candles bent into semi-circles on the floor to form a circle. Each candle was lit at one end so as to form double flames always burning…

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In The Ballerina and the Bum, 1974, a movie that Antin shot on videotape because it was more affordable than film, our romantic young waif of a heroin is, in Antin’s words, “a would-be ballerina from the sticks, who plans to walk across…
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