In The Ballerina and the Bum, 1974, a movie that Antin shot on videotape because it was more affordable than film, our romantic young waif of a heroin is, in Antin’s words, “a would-be ballerina from the sticks, who plans to walk across…
In 1973 at the University Art Museum Berkeley I made a demonstration about intention. I called it “lecture/demonstration” because I meant it to be instructional. I outlined a square area with masking tape on the floor of the museum’s central open…
Antin’s second major persona was her idealized female self: the Ballerina – a nameless iconic figure, the mere image of a dancer. In a sequence of photographs the Ballerina assumes the idealized positions of the classical ballet and executes…