The Floating Museum has no walls. It is an invisible system designed to exhibit works of art that do not fit into the traditional boundaries of museum and gallery situations. The Floating Museum facilitates and encourages artists whose work takes…
Exhibition documenting performance and installation pieces from past ten years by twenty-one artists, through photo-documentation, installation and videotape. (Foley 1980: 197)
Curator(s): Suzanne Foley
Participants: Tom Marioni, Terry Fox, Paul…
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Curator(s): Carlos Gutierrez-Solana
Participants: Richard Alpert, Kevin Costello, Linda Montano, Bill Morrison, The Women’s Performance Collective, Darryl Sapien with Michael Hinton, Alan Scarritt, John Woodall,…
This night of performances was a celebration of MOCA’s fifth anniversary and, according to Marioni, the last group exhibition at MOCA. (Foley 1980: 160)
In a wedge-shaped space with large rectangular grids painted on opposing walls, Sapien and…
Two performers wearing video camera headmounts assembled a thirty-two foot tall double helix ladder suspended on a floor to ceiling armature of tightened ropes. Inside a cylindrical plastic curtain each performer ascended his red or green ladder as…
This was a street performance depicting a series of violent crimes against innocent and powerless victims. Among the crimes were rape, murder, suicide, and lynching. The city itself was identified as a voracious predator consuming its weakest…
Two performers wearing video camera headmounts and equipped with intercoms create two drawings on two gridded walls within a wedge shaped enclosure. Their markings are guided by a female director on the floor above them. She speaks in a code based on…
Performance Proposal: Splitting the Axis The performance will consist of a single action on a vertical axis at point A on the diagram. Two men will climb a wood pole using metal lineman’s spurs and beginning at the top, thirty five feet above…
Lived in two rooms connected by a small tunnel for several days. Set up different rules for behavior in each space and then attempted to subvert them.(Foley 1980: 145)