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SiteWorks: San Francisco performance 1969-85

Browse Items (26 total)

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Exhibition documenting performance and installation pieces from past ten years by twenty-one artists, through photo-documentation, installation and videotape. (Foley 1980: 197) Curator(s): Suzanne Foley Participants: Tom Marioni, Terry Fox, Paul…

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For a couple of years in 1973 and 1974 every Wednesday afternoon there was free beer in MOCA while artists’ video tapes were shown. In ’76 I decided to meet people downstairs in Breen’s Café, and I sent out cards announcing…

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13 one minute colour video works Curator(s): Tom Marioni Participants: Richard Alpert, Dianne Blell, Kevin Costello, Terry Fox, Howard Fried, Mel Henderson, Paul Kos, Stephen Laub, Tom Marioni, Jim Melchert, Masashi Matsumoto, Suzanne Spater, Irv…

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On Wednesday, January 3, 1973, the Museum of Conceptual Art opened its doors across the street from its previous space in San Francisco. The new address (75 Third Street) is above the Breen’s Bar where many previous showings by MOCA have…

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This night of performances was a celebration of MOCA’s fifth anniversary and, according to Marioni, the last group exhibition at MOCA. (Foley 1980: 160) In a wedge-shaped space with large rectangular grids painted on opposing walls, Sapien and…

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All day exhibition of a floor in the same building as MOCA, which was vandalized by a Chinese youth group. When the group was evicted, Marioni opened the space for exhibition. (Foley 1980: 158) In 1974 the San Francisco Redevelopment Agency, my…

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South of the Slot was a group show that took place in San Francisco during the months of October and November in 1974. It was a show that was organized by a group of artists as a much needed forum for a particular kind of work. Organised around a…

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In ’73 there was a show at MOCA called All Night Sculptures, probably the most interesting show that happened there. It was very serious. Nine artists designed work for all night viewing: installations that had something to do with nighttime or…

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When Jackson Pollock and Morris Louis let the paint leave their hands, gravity formed the shape of the stain on the raw canvas. This exhibition of abstract expressionism is a direct extension of the painting of the ‘50s; the action is the same…

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For his first one person show, Kos placed seven thousand pounds of ice in front of the gallery entrance. The Fire Department declared it a hazard and broke it up to melt it faster. (Anonymous 1971: 6) Picture this: over a two-hour span on a hot…
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