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Works Cited

Alpert, R. (1975) South of the Slot, exhibition catalogue, San Francisco: published privately by Richard Alpert.

Amirkhanian, C. (1973) 'Museum of Conceptual Art: Opening of a New Space'. Radiom Internet Archive. Available online. https://archive.org/details/MFM_1973_01_03. Accessed 8 June 2013.

Anonymous (1970) Rumbles: The Museum of Conceptual Art, Avalanche 1, Fall 1970, p.6. 

Anonymous (1971) Rumbles, Avalanche, Winter, p.6.

Anonymous (1981) 10 Watts, KALX Program Guide, July-August, Berkeley: KALX UC Berkeley.

Anonymous (2013). Available online. http://www.artperformance.org/50-categorie-10566235.html. Accessed 3 June 2013.

Anonymous (2013a). Available online. https://soma.sbcc.edu/users/davega/FILMST_113/Filmst113_ExFilm_Groups/01_Ant%20Farm%20History.pdf. Accessed 3 June 2013.

Ant Farm (1976) 'T.V. Radiation Survey,' La Mamelle Magazine: Art Contemporary, 3:1, Winter, 16-17.

Ant Farm (2004 [1975]) Press Release for Media Burn in C.M. Lewallan and S. Seid (eds) Ant Farm: 1968-1978, Berkeley: University of California Press, appendix Unique Timeline Object, pages unnumbered.

Antin, E. (1999) 'A Dialogue with Eleanor Antin,' in Bloom, L.E. and Fox, H.N. Eleanor Antin, California: Los Angeles County Museum of Art, 191-223.

Artner, A.G. (1981) review of Tom Marioni, Studio Berkeley (1980), The Chicago Tribune, 23 January.

Auping, M. (1978) James Lee Byars MATRIX/BERKELEY 4, Berkeley: University Art Museum, pages unnumbered.

Barry, J. (1978) 'Cup/Couch,' High Performance, 3:1, September, p.10.

Brennan, B. (1977) 'T.R.Uthco's Dialogues,' Artweek, v.8, 3 December, p.7.

Borsuk, D. (1980) 'Porno Show on SF School Property?', Video 80 Magazine, Winter, p.49.

Brown, K. (2012) 'Tom Marioni: Know Where You Are and What is Going On,' Crown Point Press Newsletter, April, 1-4.

Brown, K (2015) 'Biographical Summary: Tom Marioni'. Available online. http://www.crownpoint.com/artists/12/biographical-summary. Accessed 4 March 2015.

Burden, C. (2007) Chris Burden, London: Thames and Hudson.

Bustos, J.M. (1978) 'Castle to Castle,' High Performance, 1:3, p.18.

Bustos, J. M. (1979) 'Jump,' High Performance, 2:1, p.59.

Carroll, J. (1975) 'Watching the Media Burn,' The Village Voice, 14 July.

Cavagnaro, P. and Sherk, B (2012) 'Q&A: Bonnie Sherk and the Performance of Being'. Available online: http://blook.bampfa.berkeley.edu/2012/06/q-a-bonnie-ora-sherk-and-the-performance-of-being.html. Accessed 18 December 2012.

Cazzaza, M and Emolo, T (1980) 'Assured Destructive Capability: Mark Pauline interviewed by Monte Cazzaza and Tana Emolo,' Slash Magazine, 3:5, 46-7.

Cheng, M. (2002) In Other Los Angeleses: Multicentric Performance Art, Berkeley: University of California Press.

D'Agostino, P. (1982) coming and going: New York (Subway) Paris (Metro) San Francisco (BART) Washington (METRO), San Francisco: NFS Press.

Darling, L. (1978) 'One Thousand Dollar a Plate Dinner,' High Performance, 1:2, 38-9.

Darling, L. (1980) One Hand Shaking: A California Campaign Diary, New York: Harcourt Brace Janovich.

Doug Hall Studio website. Pages as indicated. Available online. http://doughallstudio.com. Access in each case 16 December 2012.

Edmonson, B (1983) 'Mark Pauline,' Bomb 6, Summer 1983. Available online. http://bombsite.com/issues/6/articles/281. Accessed 2 June 2013.

Electronic Arts Intermix. Available online. http://www.eai.org/title.htm?id=3239. Accessed 3 June 2013.

Foley, S. (ed.) (1980) Space Time Sound - Conceptual Art in the San Francisco Bay Area: the 70s, San Francisco: San Francisco Museum of Modern Art.

Fox, H.N. (1999) 'Waiting in the Wings: Desire and Destiny in the Art of Eleanor Antin,' in Bloom, L.E. and Fox, H.N. Eleanor Antin, California: Los Angeles County Museum of Art, 15-158.

Fox, T. (2000) Ocular Language: Thirty Years of Speaking and Writing About Art, Salon Verlag: Bremen.

Frye Burnham, L. (1981) 'Between the Diaspora and the Crinoline: Bonnie Sherk interviewed by Linda Frye Burnham,' High Performance, 4:3, Fall, 49-71.

Giannachi, G. and Kaye, N. (2011) Performing Presence: Between the Live and the Simulated, Manchester: Manchester University Press.

Gross, J.R. (2003) 'Consider the Object as Evidence' in K. Tsujimoto and J.R. Gross (eds) The Art of David Ireland: The Way Things Are, Berkeley: University of California Press, 151-90.

Hall, D. and Tromble, M. (2000) 'The Contradictions of Power'. Catalogue interview for the Flintridge Foundation Awards for the Visual Arts. Available online. http://doughallstudio.com/storage/Flintridge-interview.pdf. Accessed 3 June.

Hall, Doug (2014). Doug Hall: Biography. Available online: http://doughallstudio.com/biography. Accessed 11 January 2014.

Hershman, L. (1977) The Floating Museum, pamphlet, San Francisco: The Floating Museum.

Hinckle, W (1982) 'Hinckle's Journal/Art of Being Too Weird for Words,' San Francisco Chronicle.

Jaszi, J. (1970) 'Allmydirtyblueclothes,' Artweek v.1, 27 June, p.3.

Kent, T. (1975) 'T.R. Uthco: The Theatrics of Performance Art,' Artweek, v.6, 4 January, p.16.

Kleb, W. (1977), ' Art Performance: San Francisco,' Performing Arts Journal, 1:3, Winter, 40-50.

Labat, T. (1981) 'POV!', Video '81, Fall, p.19.

Labat T. (2005) Trust Me .Tony Labat, San Francisco: New Langton Arts.

Lacy, S. (2010) Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007, Durham: Duke University Press.

Lewallan, C. (1980) 'Tom Marioni,' Matrix/Berkeley 39, Berkeley: University Art Museum, Berkeley.

Lewallen, C. (1981) 'Chronology' in Foley, S. (ed.), Space Time Sound, Conceptual Art in the San Francisco Bay Area: The 70s, San Francisco: San Francisco Museum of Modern Art, 127-199.

Lewallan, C. (1995) 'Metaphor, Matter, Canvas, Stage: Conceptual Art 1968 to 1995' in S.A. Nash (ed.) Facing Eden: 100 Years of Landscape Art in the Bay Area, San Francisco: San Francisco Fine Arts Museums.

Lewallen, C. (2004) 'Commitment,' Chronicle of the University of California: A Journal of University History, No 6, Spring, 169-72. Available online. http://www.bampfa.berkeley.edu/about/aboutnotedetail.php?Nickname=TXT0011. Accessed 8 June 2013.

Lewallen, C.M. and Moss, K. (2011) State of Mind: New California Art circa 1970, Berkeley: University of California Press.

Lippard, L.R (2001 [1973]) Six Years: The dematerialization of the art object from 1966 to 1972, Berkeley: University of California Press.

Loeffler, C.E. (1976) 'Motion/Reynolds Collaborate,' Front 2:1, February, p.1.

Loeffler, C.E. and Tong, D. (eds) (1980), Performance Anthology: Source Book for a Decade of California Performance Art, San Francisco: Contemporary Arts Press.

Marioni, T. (1969) The Return of Abstract Expressionism, Richmond, Ca.: Richmond Art Center.

Marioni, T. (1971) 'Letter (to Willoughby Sharp,' Artweek v.2, 26 June, p.2.

Marioni, T. (1976) The Annual, San Francisco: San Francisco Art Institute.

Marioni, T (1997) Tom Marioni: Sculpture and Installations 1969-1997, San Francisco: Crown Point Press.

Marioni, T. (2003) Beer, Art and Philosophy: A Memoir, The Act of Drinking Beer with Friends is the Highest Form of Art, San Francisco: Crown Point Press. 

McKee, S. (1979) 'Killing a Painting,' High Performance, 2:1, p.52.

Melchert, J. (1974) Artist correspondence to George W. Neubert at The Oakland Museum. Available online. http://offsiteproduction.blogspot.co.uk/2012/03/jim-melchert-location-project-10.html. Accessed 3 June 2013.

Meyers, R. (2003) 'Ice-as-Ice Is Art-as-Art' in Lewallen, C.M.  (ed.), Everything Matters: Paul Kos A Retrospective, Berkeley, California: University of California, Berkeley Art Museum and Pacific Film Archive, 91-110.

Montano, L. (1981) Art in Everyday Life, Los Angeles: Astro Artz.

Pauline, M. (1983) 'Interview,' Re: Search 6-7, Industrial Culture Handbook, 1983, Available online.
http://www.o-art.org/history/SoundArt/dangerous/S.R.L./R_SPauline.html. Accessed 2 June 2013.

Phillips, G. (2008) (ed.) California Video: Artists and Histories, Los Angeles: Getty Publications.

Pomeroy, J. (1978) MATRIX 44, Hartford CT: Wadsworth Atheneum Museum of Art.

Pritkin, R. and Searcy, K. (eds) (1983) The Last 80 Langton Street Catalog, San Francisco: 80 Langton street.

Proctor, J. (1979) 'T.R. Uthco: Edited by Fire,' High Performance, 2:1, 27-29.

Rosler, M. (1978) 'Traveling Garage Sale,' High Performance, 1:2, 22-23.

Roth, M. (1980) 'A Star is Born: Performance Art in California,' Performing Arts Journal, 4:3, 1980, 86-96.

Roth, M. (ed) (1983) The Amazing Decade: Women and Performance art in America 1970-1980, Astro Artz: Los Angeles.

San Francisco Museum of Modern Art, press release (1979) Tom Marioni: The Museum of Conceptual Art at the San Francisco Museum of Modern Art, San Francisco: the San Francisco Museum of Modern Art.

Sapien, D. (1979) 'Crime in the Streets,' High Performance 2:2, June, 38-40

Sapien, D. (1980) 'Portrait of the Artist x 3,' High Performance 3:1, Spring, 41-43.

Sapien, D. (2013) 'Performance Art: Stills'. Available online. http://www.sapienfinearts.com/pages/performance_stills_index.html. Accessed 6 June 2013.

SF MoMA (2012) 'Bridge Cameos'. Available online. http://blog.sfmoma.org/2012/05/seventies-action-bridge-cameos-2 . Accessed 3 June 2013.

Shank, T (1989) California Performance Volume 1/San Francisco Bay Area, Pomona, California: Mime Journal.

Shank, T. (1989) California Performance: Volume 1/San Francisco Bay Area, Claremont California: Pomona College.

Sherk, B. ([1979] 1981) 'Crossroads Community (the farm),' reproduced in Frye Burnham, L. 'Between the Diaspora and the Crinoline: Bonnie Sherk interviewed by Linda Frye Burnham,' High Performance, 4:3, Fall, 60-1.

Smith, B. (1978) 'Ordinary Life,' High Performance, 1:1, 12-13.

Smith, B. (1984) residency proposal to Capp Street Project.

Survival Research Laboratories, SRL.org. Available online. http://srl.org/shows/archive/kezar. Accessed 2 June 2013.

The Harrison Studio (2013) 'Sacramento Meditations 1977'. Available online. http://theharrisonstudio.net/?page_id=273. Accessed 3 June 2013.

Uthco T.R. (1976) 'The Avant Guard In Action,' Art Contemporary no.5, 2:1, 28-29.

Vergine, L. (ed.) (2000) Body Art and Performance: The Body as Language, Turin: Skira.

Webber, R. (1979) 'Windows Project'. Press release. Available online. http://www.synthpunk.org/units/1-25-79.html. Accessed 6 June 2013.

White, R. (1979) Terry Fox, View 2:3, June, whole issue.

Zimbardo, T. (2012) 'Receipt of Delivery: Reese Palley/San Francisco.' Available online. http://blog.sfmoma.org/2012/09/receipt-of-delivery15. Accessed 7 June 2013.