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SiteWorks: San Francisco performance 1969-85

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The Floating Museum has no walls. It is an invisible system designed to exhibit works of art that do not fit into the traditional boundaries of museum and gallery situations. The Floating Museum facilitates and encourages artists whose work takes…

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Exhibition documenting performance and installation pieces from past ten years by twenty-one artists, through photo-documentation, installation and videotape. (Foley 1980: 197) Curator(s): Suzanne Foley Participants: Tom Marioni, Terry Fox, Paul…

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13 one minute colour video works Curator(s): Tom Marioni Participants: Richard Alpert, Dianne Blell, Kevin Costello, Terry Fox, Howard Fried, Mel Henderson, Paul Kos, Stephen Laub, Tom Marioni, Jim Melchert, Masashi Matsumoto, Suzanne Spater, Irv…

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South of the Slot was a group show that took place in San Francisco during the months of October and November in 1974. It was a show that was organized by a group of artists as a much needed forum for a particular kind of work. Organised around a…

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In ’73 there was a show at MOCA called All Night Sculptures, probably the most interesting show that happened there. It was very serious. Nine artists designed work for all night viewing: installations that had something to do with nighttime or…

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A building in San Francisco leased by Reese Palley Gallery and given over as studio space to artists such as Sam Richardson, Terry Fox, James Pennuto, Howard Fried, Barney Bailey, and Alex Lambie (Loeffler and Tong 1980: 54) Reese Palley’s…

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In response to this new zeitgeist, Berkeley Art Museum curators Brenda Richardson and Susan Rannells presented The Eighties in 1970, soon after the museum moved into its new building. Richardson and Rannells asked a group of artists to address in…

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When Jackson Pollock and Morris Louis let the paint leave their hands, gravity formed the shape of the stain on the raw canvas. This exhibition of abstract expressionism is a direct extension of the painting of the ‘50s; the action is the same…

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I invited nine sculptors to make sound works for my show, which took place on April 10, 1970. Each artist produced sounds by manipulating a material. Terry Fox hit a bowl of water against against the floor and made a sound like bong. Paul Kos trained…

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AV: What would you see as your earliest body work? TF: The Push Wall piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push anymore. I…
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