I performed a chicken dance in nine different outdoor places in San Francisco. The sites were museums, galleries, and the Golden Gate Bridge. The dances were on the third month at noon, three and six o’clock. I wore a blue prom dress, tap…
This event was one of a series of site projects curated by Suzanne Foley as part of the San Francisco Museum of Modern Art’s presentation of America, 1976, a bicentennial exhibition. I was looking for a situation in which a social activity (in…
The general public and art community were invited to ride the Bay Area Rapid Transit (BART) from San Francisco’s Civic Centre to the Berkeley Station. The basic structure of the event encompassed the everyday experiences of the BART commuter: buying…
The Farm is a social art work and incorporates the divergent fields of all the arts and literature, education, appropriate technology, community service, public health, the environment, economics, city planning and real estate. It is a vehicle for…
The Wall Push piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push any more. I used to park my car every day in that alley and I…
Participants carried one hundred life-size cardboard cows along seventeen pedestrian overpasses of southern freeway approaches into San Francisco. The event was covered by television channels 2, 4, 5 and 7.(Foley 1980: 148)
This was a street performance depicting a series of violent crimes against innocent and powerless victims. Among the crimes were rape, murder, suicide, and lynching. The city itself was identified as a voracious predator consuming its weakest…