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OH, A BEAR!
The performance work of De Cointet (with Mary Ann Duganne, Monica Tenner, and Jane Zingale), involved props and spoken texts. The rehearsed texts are memorized or read, but always acted out in a dramatic fashion, borrowing form the theatre some of…
Pisces
Fox attached string between two fish and the hair on his head and his teeth. He slept in an attempt to dream about the killing of the fish. (Loeffler and Tong 1980: 33)
Cows
Participants carried one hundred life-size cardboard cows along seventeen pedestrian overpasses of southern freeway approaches into San Francisco. The event was covered by television channels 2, 4, 5 and 7.(Foley 1980: 148)
Cow Line
Four thousand cardboard cows were placed at intervals along the highway. (Foley 1980: 173)
Portable Park I
Portable Park I was situated on the dead end section of the freeway that was used primarily by the Highway Patrol for dispensing tickets. For one day the area was covered in live turf, live palm trees, a cow and myself. It was a living tableau which…
Portable Park III
The third site was Maiden Lane, a downtown street near the major shopping area near Union Square. The whole street was closed for two days, covered with turf, trees, and even more animals (cows, goats, chickens, sheep, llamas). This was a greater…
Machine Sex
Machine Sex was done at a Chevron gas station, shortly after an OPEC price rise. I had built this de-manufacturing machine that was like a giant food processor, called The Shredder, It was made out of a big triangular shaped drum, with a plexi-gears…
Night of the Succubus
MARK: Well, if things that are dead make people feel funny, then what are people going to think if they see things that are definitely dead, but are moving around and look like they're alive? When we first made the little robot for the Night of The…
Food For Machines
The second one was Food for Machines done in United Nations Plaza. The machines tore up and mutilated food. All kinds of food. It all got wasted. There was a big mess we didn’t even clean up. I forged permission to do that. (Cazzaza and Emolo 1980:…
Adaqtation and Imbulgence, part two, a narration
With this piece I took the idea of indulgence more literally, and created a piece about selfishness, or self-fullness. At that time, in the early Seventies, there was a ot of talk about a certain kind of artist being very self-indulgent, I think you…