In Public Theater #3: What do Blind Men Dream, Fox arranged for two blind street musicians who sang at the same downtown San Francisco corner every evening to appear instead at the corner of Union and Buchanan Streets and mailed invitations to the…
AV: What would you see as your earliest body work?
TF: The Push Wall piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push anymore. I…
The Floating Museum has no walls. It is an invisible system designed to exhibit works of art that do not fit into the traditional boundaries of museum and gallery situations. The Floating Museum facilitates and encourages artists whose work takes…
This performance was done in a small room illuminated only by the glow from the spiral coil of a hot plate. For a period of one hour, Nina Wise spun in circles with small battery powered lights attached to her wrists as I walked in large circles…
552 Steps Through 11 Pairs of Strings was a performance in my loft in San Francisco in which I stretched 11 pairs of piano wires of 11 different thicknesses across the wooden floor of my studio. These wires were attached to turnbuckles at each and…
A building in San Francisco leased by Reese Palley Gallery and given over as studio space to artists such as Sam Richardson, Terry Fox, James Pennuto, Howard Fried, Barney Bailey, and Alex Lambie (Loeffler and Tong 1980: 54)
Reese Palley’s…
13 one minute colour video works
Curator(s): Tom Marioni
Participants: Richard Alpert, Dianne Blell, Kevin Costello, Terry Fox, Howard Fried, Mel Henderson, Paul Kos, Stephen Laub, Tom Marioni, Jim Melchert, Masashi Matsumoto, Suzanne Spater, Irv…
In ’73 there was a show at MOCA called All Night Sculptures, probably the most interesting show that happened there. It was very serious. Nine artists designed work for all night viewing: installations that had something to do with nighttime or…
South of the Slot was a group show that took place in San Francisco during the months of October and November in 1974. It was a show that was organized by a group of artists as a much needed forum for a particular kind of work.
Organised around a…
Exhibition documenting performance and installation pieces from past ten years by twenty-one artists, through photo-documentation, installation and videotape. (Foley 1980: 197)
Curator(s): Suzanne Foley
Participants: Tom Marioni, Terry Fox, Paul…