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SiteWorks: San Francisco performance 1969-85

Browse Items (283 total)

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In a series of performances entitled Sitting Still, Sherk created eloquent images of solitude, speaking to her viewers through the sheer power of her presence and sensitizing them to the particular site chosen for each work. This series took place in…

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Split Man Bisects the Pacific seemed an epic reenactment of some forgotten myth or legend. It took place on a foggy night at the bottom of the “Lands End” cliffs west of the Golden Gate. There Sapien had built a white wooden wheel nine…

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“It is with feelings of the greatest diffidence that I place the following pages before the public; but those of my friends who happen to have heard of my rather unique experiences in the wilds have so often urged me to write an account of my…

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The King came first, when I wanted to see what my male self would be like, who he would be. And I realized my bearded self was a king – a dead ringer for Charlie One – and kings must have a country, a kingdom – even if a lost one. He became my…

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Antin’s second major persona was her idealized female self: the Ballerina – a nameless iconic figure, the mere image of a dancer. In a sequence of photographs the Ballerina assumes the idealized positions of the classical ballet and executes…

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Remove the object in art, or so de-objectify it that the passing of money between patron and artist becomes the art. Process becomes art. Patron becomes artist. Artist becomes patron. Banks become museums. [...] 1. Cut out above check. 2. Fill in…

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Mel Henderson paced up and down the large loft with a 30-calibre rifle. He took aim and fired a single shot at a film image of a tiger being projected on a paper covered saw-horse. (Anonymous 1970)

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It consisted of two twenty-five-pound blocks of ice set side by side on the museum floor, and surrounded in a tight circle by eleven state-of-the-art, tremendously sensitive standing boom microphones. These were fed into an immense amplifier system…

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My alter ego Allan Fish was one of the nine artists in the show [Sound Art]. Again, as in Richmond, the artist sent instructions for the curator to perform the work. I was announcing all the artists performances as they occurred, and I announced I…

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I wanted to create a space that was conducive to levitation. The first thing I did was to cover the sixty by thirty foot floor with white paper and to tape white paper on the walls. The floor had been dark but it became such a brilliant white that if…
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