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SiteWorks: San Francisco performance 1969-85

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On that evening I created an “Action” called Marking the Dilemma. There is a thing that I build into all my work, a kind of difficulty. I try to disorient myself in some way so as to add a degree of surprise. The event that I did was…

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Machine Sex was done at a Chevron gas station, shortly after an OPEC price rise. I had built this de-manufacturing machine that was like a giant food processor, called The Shredder, It was made out of a big triangular shaped drum, with a plexi-gears…

Item 223.MP3
For three days, from twelve noon to three, I laid in a chicken bed which had a twelve foot wing span.
I wore a blue prom dress, tap shoes and feather head band.
Polythene curtains surrounded the bed.
Fig leaves covered the floor.
A bird tape…

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For three hours I laid in a baby crib and listened to tapes of my mother talking about me as an infant.It was All Souls Day and our dog Chicken died as I was performing. (Montano 1981, pages unnumbered) In Death and Birth: A Crib Event [sic], she…

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Fried, assisted by crutches, wove his way through the gridded streets of San Francisco from sunset to sunrise as the passive yet happy-go-lucky Long John Silver; then, from sunrise to sunset he portrayed the more willful Long John Servil, carrying a…

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The site for the Location Project will be the south wall of the Paramount Theater as seen from 20th Street. I’ve been checking out the building and find it’s a good one to work with. The projector will be located across the street at…

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For four days, Pauline Oliveros, Nina Wise and I lived together and called that time art. Each of us had a separate environment and we laid motionless for long periods of time in the environment. (Montano 1981, pages unnumbered)

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A twelve-hour event consisting of three actions repeated once every hour by the participants.

Each action:
Sitting - 1/2 hour
Walking - 15 minutes
Singing Past Guilts -15 minutes

These were performed in unison. The first two actions,…

Item 17.MP3
I wanted to create a space that was conducive to levitation. The first thing I did was to cover the sixty by thirty foot floor with white paper and to tape white paper on the walls. The floor had been dark but it became such a brilliant white that if…

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In 1973 at the University Art Museum Berkeley I made a demonstration about intention. I called it “lecture/demonstration” because I meant it to be instructional. I outlined a square area with masking tape on the floor of the museum’s central open…
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