The second site of the Portable Park […] was on two concrete islands underneath a freeway off-ramp. For this site there were more cows and also chickens involved, picnic tables, and bales of straw. It was a participatory piece for many…
It begins with my friends Nancy Buchanan, Nancy Angelo and Karen Neubert coming in with me from the rear of the space and passing out the scripts flirtatiously to the men and ignoring the women seated there. Each of the 150 scripts had a different…
There was a room in MOCA that had been a ladies’ lounge when the space had been a printing company before I moved in. It was a little room where the women employees would rest or smoke or put on makeup. Barbara Smith chose that room and set it up for…
There would be a central image and theme of a tree. The visitor would walk through or around a variety of images and sequences of threes (sic) and find a set of instructions which direct him/her to a nearby site at the end of the interior tour. When…
Deliberately False Statements: A Combination of Tricks and Illusions Guaranteed to Expose Shrewd Manipulations of Fact was a totally irresponsible performance that took place at a parking lot in the South-of-Market area of San Francisco. “The…
Great Moments by T.R. Uthco […] is their ironic, parodic, at times almost slapstick “revue” of performance art in general, the trademarked moves and strategies of its better-known practitioners in particular.
Nearly every major…
Meredith Tromble: In the performance Walking Mission Street (1976) you and Jody Proctor traversed the entire eight-mile length of Mission Street in San Francisco, walking in silence. Was the point of that piece to create an inner experience of the…
The main portion of the piece – the “live” portion – was in the rear gallery at Otis. In the middle of the space, Doug Hall and Jody Proctor, naked to the waist, had their heads bound together with string. The men were…