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SiteWorks: San Francisco performance 1969-85

Browse Items (283 total)

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Two performers wearing video camera headmounts and equipped with intercoms create two drawings on two gridded walls within a wedge shaped enclosure. Their markings are guided by a female director on the floor above them. She speaks in a code based on…

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Performance Proposal: Splitting the Axis The performance will consist of a single action on a vertical axis at point A on the diagram. Two men will climb a wood pole using metal lineman’s spurs and beginning at the top, thirty five feet above…

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The piece took place in Eleanor Coppola’s home. Two museums wanted us to do something in her house and we just decided that instead of giving the a tour we would turn the entire house into a game board. So we used the floor plan as a kind of…

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Lynn Hershman: I think that was the first interesting thing I did. I just set up a hotel room you could go 24 hours a day, any day of the week. You could sign in at the desk, get a key, go up to the room, and trespass into this kind of alien identity…

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Roberta Breitmore is a portrait of a woman in San Francisco: a collage of a person experiencing her environment. She is a contemporary heroine fashioned from real life and in real time. Her social identities – checkbook, licenses, handwriting and…

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No description available.

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Set up thirteen searchlights on Market Street and flares from the Ferry Building to Twin Peaks: two airplanes flew overhead. (Lewallen 1981: 130)

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No description available.

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Henderson arranged for one hundred Yellow Cabs to converge at a major intersection simultaneously, creating a traffic jam. Event was photographed, videotaped, and filmed from the ground, helicopter, and heliocourier.(Lewallen 1981: 131)

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Four thousand cardboard cows were placed at intervals along the highway. (Foley 1980: 173)
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