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SiteWorks: San Francisco performance 1969-85

Browse Items (283 total)

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Lord and Philip Garner perform Chevrolet Training Film: The Remake at La Mamelle, San Francisco, and at Some Serious Business, Los Angeles. The live performance (and subsequent videotape) is a restaging of an actual 1962 sales training film.…

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The Traveling Garage Sale was held on Saturday and Sunday, October 1 and 2, 1977, in La Mamelle’s garage. In keeping with its dual status as both a real sale and an exemplary work, it was advertised locally, in newspapers and papers, as a…

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Cup/Couch explores the difference between “telling an event” and :”doing an event,” using cups and couches to explicate this process in 20 scenes, each set up to exhibit by example, a variety of current linguistic practices for getting at this…

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This was a street performance depicting a series of violent crimes against innocent and powerless victims. Among the crimes were rape, murder, suicide, and lynching. The city itself was identified as a voracious predator consuming its weakest…

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It begins with my friends Nancy Buchanan, Nancy Angelo and Karen Neubert coming in with me from the rear of the space and passing out the scripts flirtatiously to the men and ignoring the women seated there. Each of the 150 scripts had a different…

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This event was one of a series of site projects curated by Suzanne Foley as part of the San Francisco Museum of Modern Art’s presentation of America, 1976, a bicentennial exhibition. I was looking for a situation in which a social activity (in…

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The Department of Art Works constructs art on the streets in the same manner as other construction companies, though for different purposes. Leland Fletcher, responsible for a show consisting of many construction sites around San Francisco, feels the…

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The work was sited along the Golden Gate Promenade located in the Golden Gate Recreation Area near the Coast Guard Station at the Golden Gate Bridge. It’s popular with strollers, joggers, and photographers. Already built into this landscape was…

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I arrived at the site early, finding a lone podium on a small mound in the sculpture garden, a mute monument to my apprehension. No marching bands, no placard-bearing youngsters, no old fools in straw hats, no giant pictures of my visage behind the…
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