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SiteWorks: San Francisco performance 1969-85

Browse Items (14 total)

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The San Francisco Art Institute had an annual exhibition every year that was important to the community because artists curated it. It was called the Art Institute Annual, and it was usually a month-long exhibition. In 1976 it was literally an…

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Exhibition documenting performance and installation pieces from past ten years by twenty-one artists, through photo-documentation, installation and videotape. (Foley 1980: 197) Curator(s): Suzanne Foley Participants: Tom Marioni, Terry Fox, Paul…

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South of the Slot was a group show that took place in San Francisco during the months of October and November in 1974. It was a show that was organized by a group of artists as a much needed forum for a particular kind of work. Organised around a…

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This night of performances was a celebration of MOCA’s fifth anniversary and, according to Marioni, the last group exhibition at MOCA. (Foley 1980: 160) In a wedge-shaped space with large rectangular grids painted on opposing walls, Sapien and…

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No description available. Curator(s): Carlos Gutierrez-Solana Participants: Richard Alpert, Kevin Costello, Linda Montano, Bill Morrison, The Women’s Performance Collective, Darryl Sapien with Michael Hinton, Alan Scarritt, John Woodall,…

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No description available. Curator(s): San Francisco Art Institute Museum Techniques Class Participants: Richard Alpert, Stephen Laub, Jim Melchert, Linda Montano, Bonnie Sherk.

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This piece took place in a darkened gallery space. Around two of the corners that protrude into the space, there were two green tape lights that circumscribed the 270-degree circular areas on the floor. In the larger circle, the tape light was facing…

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No description available.

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This piece took place in a store-front place over a period of seven days, at varying times and duration, once each day. One of the two windows was covered, while one was left clear. The piece could be viewed only from the outside. In the clear…

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The performance space was divided into a light half and a dark half. I began the performance by standing in the dark half, and kicking a ball into the light half of the space against the back wall. With each successive kick of the ball, I shortened…
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