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SiteWorks: San Francisco performance 1969-85

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Item 18.MP3
The first performance I did as an art performance was at Berkeley in 1969 [sic], for The Eighties show at the old Berkeley Museum. It was the defoliation of jasmine plants […] It was specifically designed for the people that I knew would be there […]…

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Fried arranged the clothes on the floor and marked the symbols on the wall in a carefully reasoned sequence […] In summing up his description of the work “Allmydirtyblueclothes” Howard Fried also stated:…

Item 20.MP3
Set up thirteen searchlights on Market Street and flares from the Ferry Building to Twin Peaks: two airplanes flew overhead. (Lewallen 1981: 130)

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In 1969 I had to have a way of exhibiting because I felt like exhibiting. It was too politically complicated to try to exhibit my work and be a curator at the same time for a combination of reasons which are probably obvious. So I had to exhibit…

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The second site of the Portable Park […] was on two concrete islands underneath a freeway off-ramp. For this site there were more cows and also chickens involved, picnic tables, and bales of straw. It was a participatory piece for many…

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Fox attached string between two fish and the hair on his head and his teeth. He slept in an attempt to dream about the killing of the fish. (Loeffler and Tong 1980: 33)

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The Wall Push piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push any more. I used to park my car every day in that alley and I…

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Howard Fried's Synchromatic Baseball was performed one night in 1971 on a San Francisco rooftop. Fried selected the Dommy and Indo teams from among his friends and acquaintances according to whether they assumed dominant or "indominant" roles in…

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The pig, who had come from Half Moon Bay, was in the corner of the room, covered up, and no one knew that she was there. It was a very formal piece. I was dressed in an evening gown, and began the performance with an assistant, by emptying brown…

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For the series All Night Sculptures, Sherk occupied a rooftop and assumed the attitude of a gargoyle while looking down. (Loeffler and Tong 1980: 75)
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