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SiteWorks: San Francisco performance 1969-85

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While reading text lamenting the end of the 1970s and the coming of the 1980s Labat rubs his eyes with cut onions. (Labat 2005: 199)

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Cup/Couch explores the difference between “telling an event” and :”doing an event,” using cups and couches to explicate this process in 20 scenes, each set up to exhibit by example, a variety of current linguistic practices for getting at this…

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“It is with feelings of the greatest diffidence that I place the following pages before the public; but those of my friends who happen to have heard of my rather unique experiences in the wilds have so often urged me to write an account of my…

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The first performance I did as an art performance was at Berkeley in 1969 [sic], for The Eighties show at the old Berkeley Museum. It was the defoliation of jasmine plants […] It was specifically designed for the people that I knew would be there […]…

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Deliberately False Statements: A Combination of Tricks and Illusions Guaranteed to Expose Shrewd Manipulations of Fact was a totally irresponsible performance that took place at a parking lot in the South-of-Market area of San Francisco. “The…

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Lived in two rooms connected by a small tunnel for several days. Set up different rules for behavior in each space and then attempted to subvert them.(Foley 1980: 145)

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For three hours each day, lay in a "chicken" bed which had a twelve-foot wingspan, while wearing "chicken" costume. (Foley 1980: 145)

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I made my first drum brush drawings in 1972 and I continue to make these drawings, which are inspired by the automatic writing of the surrealist movement. The drawings are the result of rubbing and beating with steel wire drum brushes ( like jazz…

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We drove back to San Francisco for an afternoon cocktail party, and looking back after the events that took place, I would say San Francisco seemed empty […] I was standing alone near Farley’s car, the blue 1951 Studebaker of the future, when two…

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