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SiteWorks: San Francisco performance 1969-85

Browse Items (283 total)

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Installation steel wires, coffee grounds, drum machine, and red spotlight, dimensions variable […] Steel wire stretches taught at ankle height (tripping device) around 4 posts with a red light projected in the centre, seducing viewers to an…

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Performance with Karen Finley involving the manipulation and destruction of props which ends when all the props are destroyed. (Labat 2005: 198)

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Labat became a licensed boxer in the State of California for the period of one year. The project culminated in a debut bout within an evening card of professional boxing. A video P.O.V. (Point of View), documents the project. (Labat 2005: 199)

I…

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Labat nails a long pinky fingernail to the floor of the museum, tearing it off and leaving it behind. (Labat 2005: 198)

I was looking at the way the first generation of video and performance artists in California treated the body, and then…

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While reading text lamenting the end of the 1970s and the coming of the 1980s Labat rubs his eyes with cut onions. (Labat 2005: 199)

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The Life and Times of Donaldina Cameron, a performance piece, grew out of two artists’ desire to deal with this historical controversy. As an art form, performance combines experience and ideas into enticing blends, in this case a narrative…

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When I was getting ready to do this piece, I went walking in downtown San Francisco to find a bag lady. I saw a woman in a worn blue coat looking through a vacant lot. I walked over and told her my name, and I said I was looking for a woman who was…

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In another highly organized and publicized mass event, International Dinner Party, Lacy intermeshed the intimate character of early performance within a public setting. She contacted over a thousand women around the world by mail, asking them to…

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Portable Park I was situated on the dead end section of the freeway that was used primarily by the Highway Patrol for dispensing tickets. For one day the area was covered in live turf, live palm trees, a cow and myself. It was a living tableau which…
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