Lived in two rooms connected by a small tunnel for several days. Set up different rules for behavior in each space and then attempted to subvert them.(Foley 1980: 145)
Participants carried one hundred life-size cardboard cows along seventeen pedestrian overpasses of southern freeway approaches into San Francisco. The event was covered by television channels 2, 4, 5 and 7.(Foley 1980: 148)
I began the evening watching television, smoking and drinking beer. The other artists were preparing their pieces. People were filling the museum and my activity went almost unnoticed. After about an hour I got up and went around the room turning off…
For a week I stayed at home and sent invitations to friends to visit me. I announced my availability. While at home I documented all thoughts, activities, foods eaten, phone calls. I photographed all visitors. (Montano 1981, pages unnumbered)
On that evening I created an “Action” called Marking the Dilemma. There is a thing that I build into all my work, a kind of difficulty. I try to disorient myself in some way so as to add a degree of surprise. The event that I did was…
With this piece I took the idea of indulgence more literally, and created a piece about selfishness, or self-fullness. At that time, in the early Seventies, there was a ot of talk about a certain kind of artist being very self-indulgent, I think you…
In 1973 at the University Art Museum Berkeley I made a demonstration about intention. I called it “lecture/demonstration” because I meant it to be instructional. I outlined a square area with masking tape on the floor of the museum’s central open…
As “The Waitress” I was a gregarious self and also an archetype. “Waitress” with a bouffant hairdo who wore a black and white nylon dress. As the “Short Order Cook” I also dressed and behaved appropriately.…