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SiteWorks: San Francisco performance 1969-85

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House of Cars was an “apartment complex” consisting of four car bodies transformed into monochromatic housing modules. The cars are stacked so that the viewer can move from one interior to the others. One bottom car has a stairway leading to a car on…

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Dianne Blell confronted the infamous “topless” district of San Francisco and its standards of public morality with a painting of a nude torso on a billboard. It was made from a photograph which she had staged of a female in the classical…

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During office working hours, I drove around San Francisco’s high-rise financial district. (Bustos 1979: 59)

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The corridor at Fort Point is a series of rooms receding into other rooms ending in an undefined dark space.
Waiting in the corner of the dark room, I watch your approaching shadow against the light in the video monitor.
As you pass into the room,…

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This event was one of a series of site projects curated by Suzanne Foley as part of the San Francisco Museum of Modern Art’s presentation of America, 1976, a bicentennial exhibition. I was looking for a situation in which a social activity (in…

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We drove back to San Francisco for an afternoon cocktail party, and looking back after the events that took place, I would say San Francisco seemed empty […] I was standing alone near Farley’s car, the blue 1951 Studebaker of the future, when two…

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The Department of Art Works constructs art on the streets in the same manner as other construction companies, though for different purposes. Leland Fletcher, responsible for a show consisting of many construction sites around San Francisco, feels the…

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In Public Theater #3: What do Blind Men Dream, Fox arranged for two blind street musicians who sang at the same downtown San Francisco corner every evening to appear instead at the corner of Union and Buchanan Streets and mailed invitations to the…

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We completed a series of experimental light sculptures in the late ’70s that engaged the intersection between water and air. Our interest lay in the relationship between the dynamics of these two liquid forms. Tides, currents, and waves on one side…

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Deftly intercutting illusion and reality, Game of the Week is an affectionate look at America's obsession with baseball. As artist-in-residence with the San Francisco Giants, Doug Hall lived out a life-long fantasy of playing Major League baseball.…
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