For three days Tom Marioni and I were handcuffed together. For ten minutes each day we made a video document of the event. The time together became a study in movement and mutual signaling.(Montano 1981, pages unnumbered)
Linda Montano came to me…
For a week I stayed at home and sent invitations to friends to visit me. I announced my availability. While at home I documented all thoughts, activities, foods eaten, phone calls. I photographed all visitors. (Montano 1981, pages unnumbered)
While I was performing as “The Waitress” I was called to serve on a jury. It was she who appeared for JURY DUTY. Once chosen and in the courtroom, wearing all my old clothes, I recognized that all of the participants were performing.…
In 1973 at the University Art Museum Berkeley I made a demonstration about intention. I called it “lecture/demonstration” because I meant it to be instructional. I outlined a square area with masking tape on the floor of the museum’s central open…
For four days, Pauline Oliveros, Nina Wise and I lived together and called that time art. Each of us had a separate environment and we laid motionless for long periods of time in the environment. (Montano 1981, pages unnumbered)
It begins with my friends Nancy Buchanan, Nancy Angelo and Karen Neubert coming in with me from the rear of the space and passing out the scripts flirtatiously to the men and ignoring the women seated there. Each of the 150 scripts had a different…
The piece took place in Eleanor Coppola’s home. Two museums wanted us to do something in her house and we just decided that instead of giving the a tour we would turn the entire house into a game board. So we used the floor plan as a kind of…
The first work that honored his identification of the ordinary as an idea for art was the repair of the sidewalk outside 500 Capp Street in 1976. His preparation of the site, mixing and pouring of concrete, and subsequent restoration of the sidewalk…