Howard Fried's Synchromatic Baseball was performed one night in 1971 on a San Francisco rooftop. Fried selected the Dommy and Indo teams from among his friends and acquaintances according to whether they assumed dominant or "indominant" roles in…
On December 10, 1971 I staged a piece called 40 Winks for a show of free live performance at the Berkeley Museum. The piece had two parts. The first was a long involved message which was posed as a riddle and delivered by me. It began as I destroyed…
Fried arranged the clothes on the floor and marked the symbols on the wall in a carefully reasoned sequence […] In summing up his description of the work “Allmydirtyblueclothes” Howard Fried also stated:…
Fried, assisted by crutches, wove his way through the gridded streets of San Francisco from sunset to sunrise as the passive yet happy-go-lucky Long John Silver; then, from sunrise to sunset he portrayed the more willful Long John Servil, carrying a…
In response to this new zeitgeist, Berkeley Art Museum curators Brenda Richardson and Susan Rannells presented The Eighties in 1970, soon after the museum moved into its new building. Richardson and Rannells asked a group of artists to address in…
No description available.
Curator(s): Not known.
Participants: Howard Fried, John Woodall, Stan Askew, Richard Berger, John C Fernie, Robert Kinmont, Karen Kline, Phil Pasquini, Elliot Ross, Mike Stevens, Gigi Vandernoot.
A building in San Francisco leased by Reese Palley Gallery and given over as studio space to artists such as Sam Richardson, Terry Fox, James Pennuto, Howard Fried, Barney Bailey, and Alex Lambie (Loeffler and Tong 1980: 54)
Reese Palley’s…