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SiteWorks: San Francisco performance 1969-85

Browse Items (30 total)

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Breen’s Bar, Salon of MOCA, the site of Marioni’s Café Society, where on Wednesdays from 2-4 p.m. artists would meet and exchange ideas and energy. Beer was free. Marioni’s “concept of Café Society is drunken…

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The performance was situated in a room adjacent to the main exhibition space. Attached to the front of the door, the only entrance to the room, was a small light bulb. For the duration of the three-hour show, I was in the room with the door locked…

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There was a room in MOCA that had been a ladies’ lounge when the space had been a printing company before I moved in. It was a little room where the women employees would rest or smoke or put on makeup. Barbara Smith chose that room and set it up for…

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For three days Tom Marioni and I were handcuffed together. For ten minutes each day we made a video document of the event. The time together became a study in movement and mutual signaling.(Montano 1981, pages unnumbered) Linda Montano came to me…

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Fox created a room permanently installed at MOCA in the form of a memento mori for the series, All Night Sculptures (Loeffler and Tong 1980: 76)

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For the series All Night Sculptures, Sherk occupied a rooftop and assumed the attitude of a gargoyle while looking down. (Loeffler and Tong 1980: 75)

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Fox attached string between two fish and the hair on his head and his teeth. He slept in an attempt to dream about the killing of the fish. (Loeffler and Tong 1980: 33)

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My alter ego Allan Fish was one of the nine artists in the show [Sound Art]. Again, as in Richmond, the artist sent instructions for the curator to perform the work. I was announcing all the artists performances as they occurred, and I announced I…

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It consisted of two twenty-five-pound blocks of ice set side by side on the museum floor, and surrounded in a tight circle by eleven state-of-the-art, tremendously sensitive standing boom microphones. These were fed into an immense amplifier system…

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