In response to this new zeitgeist, Berkeley Art Museum curators Brenda Richardson and Susan Rannells presented The Eighties in 1970, soon after the museum moved into its new building. Richardson and Rannells asked a group of artists to address in…
When Jackson Pollock and Morris Louis let the paint leave their hands, gravity formed the shape of the stain on the raw canvas. This exhibition of abstract expressionism is a direct extension of the painting of the ‘50s; the action is the same…
For his first one person show, Kos placed seven thousand pounds of ice in front of the gallery entrance. The Fire Department declared it a hazard and broke it up to melt it faster. (Anonymous 1971: 6)
Picture this: over a two-hour span on a hot…
The San Francisco Art Institute had an annual exhibition every year that was important to the community because artists curated it. It was called the Art Institute Annual, and it was usually a month-long exhibition. In 1976 it was literally an…
I invited nine sculptors to make sound works for my show, which took place on April 10, 1970. Each artist produced sounds by manipulating a material. Terry Fox hit a bowl of water against against the floor and made a sound like bong. Paul Kos trained…
Henderson […] with Hawley and Young, brought attention to a massive oil spill that had taken place on January 29, 1969, along the Santa Barbara coast: the artists spelled out the word oil in biodegradable dye five times in San Francisco Bay off the…
On that evening I created an “Action” called Marking the Dilemma. There is a thing that I build into all my work, a kind of difficulty. I try to disorient myself in some way so as to add a degree of surprise. The event that I did was…
For six hours a day and for six days, Nina Wise and I played drums in order to change our consciousness by means of sound. (Montano 1981, pages unnumbered)