AV: What would you see as your earliest body work?
TF: The Push Wall piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push anymore. I…
In Public Theater #3: What do Blind Men Dream, Fox arranged for two blind street musicians who sang at the same downtown San Francisco corner every evening to appear instead at the corner of Union and Buchanan Streets and mailed invitations to the…
With Public Lunch, which took place in the Lion House at the San Francisco Zoo, there were other concerns that developed. The piece was conceived, actually, in the Central Park Zoo. I had been invited to New York by Madamoiselle Magazine because they…
The performance space was divided into a light half and a dark half. I began the performance by standing in the dark half, and kicking a ball into the light half of the space against the back wall. With each successive kick of the ball, I shortened…
Taking place amongst the ruins of a demolished amusement park this three part performance drew a portrait of the artist at three crucial stages of development. The learning stage where the artist masters his skills, the middle period of hard work and…
The third site was Maiden Lane, a downtown street near the major shopping area near Union Square. The whole street was closed for two days, covered with turf, trees, and even more animals (cows, goats, chickens, sheep, llamas). This was a greater…
The second site of the Portable Park […] was on two concrete islands underneath a freeway off-ramp. For this site there were more cows and also chickens involved, picnic tables, and bales of straw. It was a participatory piece for many…
Portable Park I was situated on the dead end section of the freeway that was used primarily by the Highway Patrol for dispensing tickets. For one day the area was covered in live turf, live palm trees, a cow and myself. It was a living tableau which…
Poloytox Park was a satirical tribute to the forces of urban blight and chemical poisons, featuring a mock toxic waste dump, and rats, a lizard and a dog cast from cement, all amid artificial, imported debris. (Pritkin and Searcy 1983: 63)