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Pig Sonata
The pig, who had come from Half Moon Bay, was in the corner of the room, covered up, and no one knew that she was there. It was a very formal piece. I was dressed in an evening gown, and began the performance with an assistant, by emptying brown…
Pisces
Fox attached string between two fish and the hair on his head and his teeth. He slept in an attempt to dream about the killing of the fish. (Loeffler and Tong 1980: 33)
Piss Piece
My alter ego Allan Fish was one of the nine artists in the show [Sound Art]. Again, as in Richmond, the artist sent instructions for the curator to perform the work. I was announcing all the artists performances as they occurred, and I announced I…
Polytox Park
Poloytox Park was a satirical tribute to the forces of urban blight and chemical poisons, featuring a mock toxic waste dump, and rats, a lizard and a dog cast from cement, all amid artificial, imported debris. (Pritkin and Searcy 1983: 63)
Portable Park I
Portable Park I was situated on the dead end section of the freeway that was used primarily by the Highway Patrol for dispensing tickets. For one day the area was covered in live turf, live palm trees, a cow and myself. It was a living tableau which…
Portable Park II
The second site of the Portable Park […] was on two concrete islands underneath a freeway off-ramp. For this site there were more cows and also chickens involved, picnic tables, and bales of straw. It was a participatory piece for many…
Portable Park III
The third site was Maiden Lane, a downtown street near the major shopping area near Union Square. The whole street was closed for two days, covered with turf, trees, and even more animals (cows, goats, chickens, sheep, llamas). This was a greater…
Portrait of the Artist X 3
Taking place amongst the ruins of a demolished amusement park this three part performance drew a portrait of the artist at three crucial stages of development. The learning stage where the artist masters his skills, the middle period of hard work and…
Pretending to Be a Gargoyle
For the series All Night Sculptures, Sherk occupied a rooftop and assumed the attitude of a gargoyle while looking down. (Loeffler and Tong 1980: 75)
Probe
The performance space was divided into a light half and a dark half. I began the performance by standing in the dark half, and kicking a ball into the light half of the space against the back wall. With each successive kick of the ball, I shortened…