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SiteWorks: San Francisco performance 1969-85

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Item 18.MP3
The first performance I did as an art performance was at Berkeley in 1969 [sic], for The Eighties show at the old Berkeley Museum. It was the defoliation of jasmine plants […] It was specifically designed for the people that I knew would be there […]…

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Fox attached string between two fish and the hair on his head and his teeth. He slept in an attempt to dream about the killing of the fish. (Loeffler and Tong 1980: 33)

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The Wall Push piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push any more. I used to park my car every day in that alley and I…

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Fox created a room permanently installed at MOCA in the form of a memento mori for the series, All Night Sculptures (Loeffler and Tong 1980: 76)

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In Public Theater #3: What do Blind Men Dream, Fox arranged for two blind street musicians who sang at the same downtown San Francisco corner every evening to appear instead at the corner of Union and Buchanan Streets and mailed invitations to the…

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This performance was done in a small room illuminated only by the glow from the spiral coil of a hot plate. For a period of one hour, Nina Wise spun in circles with small battery powered lights attached to her wrists as I walked in large circles…

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AV: What would you see as your earliest body work? TF: The Push Wall piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push anymore. I…

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Maze-like environment for participants dealing with frustration and anger. (Foley 1980: 144)
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