Exhibition documenting performance and installation pieces from past ten years by twenty-one artists, through photo-documentation, installation and videotape. (Foley 1980: 197)
Curator(s): Suzanne Foley
Participants: Tom Marioni, Terry Fox, Paul…
13 one minute colour video works
Curator(s): Tom Marioni
Participants: Richard Alpert, Dianne Blell, Kevin Costello, Terry Fox, Howard Fried, Mel Henderson, Paul Kos, Stephen Laub, Tom Marioni, Jim Melchert, Masashi Matsumoto, Suzanne Spater, Irv…
South of the Slot was a group show that took place in San Francisco during the months of October and November in 1974. It was a show that was organized by a group of artists as a much needed forum for a particular kind of work.
Organised around a…
In ’73 there was a show at MOCA called All Night Sculptures, probably the most interesting show that happened there. It was very serious. Nine artists designed work for all night viewing: installations that had something to do with nighttime or…
In response to this new zeitgeist, Berkeley Art Museum curators Brenda Richardson and Susan Rannells presented The Eighties in 1970, soon after the museum moved into its new building. Richardson and Rannells asked a group of artists to address in…
When Jackson Pollock and Morris Louis let the paint leave their hands, gravity formed the shape of the stain on the raw canvas. This exhibition of abstract expressionism is a direct extension of the painting of the ‘50s; the action is the same…
For his first one person show, Kos placed seven thousand pounds of ice in front of the gallery entrance. The Fire Department declared it a hazard and broke it up to melt it faster. (Anonymous 1971: 6)
Picture this: over a two-hour span on a hot…
I invited nine sculptors to make sound works for my show, which took place on April 10, 1970. Each artist produced sounds by manipulating a material. Terry Fox hit a bowl of water against against the floor and made a sound like bong. Paul Kos trained…
For his first one person show, Kos placed seven thousand pounds of ice in front of the gallery entrance. The Fire Department declared it a hazard and broke it up to melt it faster. (Anonymous 1971: 6)
Picture this: over a two-hour span on a hot…
It consisted of two twenty-five-pound blocks of ice set side by side on the museum floor, and surrounded in a tight circle by eleven state-of-the-art, tremendously sensitive standing boom microphones.
These were fed into an immense amplifier system…