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SiteWorks: San Francisco performance 1969-85

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There was a room in MOCA that had been a ladies’ lounge when the space had been a printing company before I moved in. It was a little room where the women employees would rest or smoke or put on makeup. Barbara Smith chose that room and set it up for…

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It begins with my friends Nancy Buchanan, Nancy Angelo and Karen Neubert coming in with me from the rear of the space and passing out the scripts flirtatiously to the men and ignoring the women seated there. Each of the 150 scripts had a different…

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The second site of the Portable Park […] was on two concrete islands underneath a freeway off-ramp. For this site there were more cows and also chickens involved, picnic tables, and bales of straw. It was a participatory piece for many…

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As The Waitress I was a gregarious self and also an archetype. "Waitress" with a bouffant hairdo who wore a black and white nylon dress. As the "Short Order Cook" I also dressed and behaved appropriately. (Burnham and Sherk 1981: 66)

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With Public Lunch, which took place in the Lion House at the San Francisco Zoo, there were other concerns that developed. The piece was conceived, actually, in the Central Park Zoo. I had been invited to New York by Madamoiselle Magazine because they…

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For the series All Night Sculptures, Sherk occupied a rooftop and assumed the attitude of a gargoyle while looking down. (Loeffler and Tong 1980: 75)

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The pig, who had come from Half Moon Bay, was in the corner of the room, covered up, and no one knew that she was there. It was a very formal piece. I was dressed in an evening gown, and began the performance with an assistant, by emptying brown…

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In a series of performances entitled Sitting Still, Sherk created eloquent images of solitude, speaking to her viewers through the sheer power of her presence and sensitizing them to the particular site chosen for each work. This series took place in…

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