Richard Beggs taped my heartbeat – put it on a loop and with an oscillating machine speeded it up to a 4/4 tempo equil. to a heartbeat at its fastest. the piece was 34 mins. long. first 15 min. was the heartbeat slowing down to a Dead stop. while…
It took up the whole length of the room. I put my shoes in a pan of asbestos at one end and made there parallel tracks along the floor. The first was running. No, not running. Shuffling and skipping. Dragging, shuffling, and skipping. Shuffling was…
The third site was Maiden Lane, a downtown street near the major shopping area near Union Square. The whole street was closed for two days, covered with turf, trees, and even more animals (cows, goats, chickens, sheep, llamas). This was a greater…
The San Francisco Museum of Art invited me to do a series for them, and I decided to create a Snowjobwhich would relate to the whole city as well as the Museum. For that piece, I brought 6,000 pounds of snow into the City and placed piles in the…
Portable Park I was situated on the dead end section of the freeway that was used primarily by the Highway Patrol for dispensing tickets. For one day the area was covered in live turf, live palm trees, a cow and myself. It was a living tableau which…
In a series of performance entitled Sitting Still, Sherk created eloquent images of solitude, speaking to her viewers through the sheer power of her presence and sensitizing them to the particular site chosen for each work. This series took place in…
In a series of performance entitled Sitting Still, Sherk created eloquent images of solitude, speaking to her viewers through the sheer power of her presence and sensitizing them to the particular site chosen for each work. This series took place in…
In 1970, I was exploring the nature of performance and the diverse environments, created or found, in which it could occur, and what constituted an audience. I found an unusual environment: an area where garbage and water had collected because of the…