April 26, 1976. San Francisco. Doug Hall and Jody Proctor of T.R. Uthco, a San Francisco art/performance group, sat 60 feet above the pavement in chairs bolted to the masonry wall outside the east windows of the third floor of La Mamelle Gallery on…
The week of 3-7 August, I served cappuccino and expresso (sic) to visitors to the Hansen Fuller Gallery. I did this during gallery hours, 10.30 a.m. to 5.30 p.m., for an entire week, serving more than 300 cups of coffee. The gallery made no…
552 Steps Through 11 Pairs of Strings was a performance in my loft in San Francisco in which I stretched 11 pairs of piano wires of 11 different thicknesses across the wooden floor of my studio. These wires were attached to turnbuckles at each and…
This piece took place in a darkened gallery space. Around two of the corners that protrude into the space, there were two green tape lights that circumscribed the 270-degree circular areas on the floor. In the larger circle, the tape light was facing…
Deftly intercutting illusion and reality, Game of the Week is an affectionate look at America's obsession with baseball. As artist-in-residence with the San Francisco Giants, Doug Hall lived out a life-long fantasy of playing Major League baseball.…
Limited seating lining walls/Reynolds environment scattered throughout the center/3 beds/sawdust floor/handsaw suspended from ceiling/bathtub/scraps of lumber/black medical bags/rollerskates/Venetian blinds/swing music/enter performers/environment…
I made my first drum brush drawings in 1972 and I continue to make these drawings, which are inspired by the automatic writing of the surrealist movement. The drawings are the result of rubbing and beating with steel wire drum brushes ( like jazz…