1 10 9 https://siteworks.exeter.ac.uk/files/original/3edb4ee52472e1addf11610a25907738.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/b434b1bd715424c2be5d20d6c1cabf56.MP3 14a68c9d9098985bd52fe60742726938 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: A Tight 13 Minutes Description An account of the resource 13 one minute colour video works Curator(s): Tom Marioni Participants: Richard Alpert, Dianne Blell, Kevin Costello, Terry Fox, Howard Fried, Mel Henderson, Paul Kos, Stephen Laub, Tom Marioni, Jim Melchert, Masashi Matsumoto, Suzanne Spater, Irv Tepper Date A point or period of time associated with an event in the lifecycle of the resource 21st December 1978 Spatial Coverage Spatial characteristics of the resource. Breen's Bar, Saloon of MOCA, ground floor of 75 3rd Street, San Francisco, now redeveloped Date Valid Date (often a range) of validity of a resource. 1978-12-21 Breen's Bar Diane Blell Howard Fried Jim Melchert MOCA Paul Kos Terry Fox Tom Marioni video https://siteworks.exeter.ac.uk/files/original/0b625d5b533b5023f58de2b4e9b7142d.jpg 733c4b7a2db79eed3c416f1d80700f4e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/22d3d4976cd1c3bab3c3d8fb4103eeee.MP3 8714564000002ef45983d932d031d45d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: The Motel Tapes Description An account of the resource Five tapes created specifically to be shown during breaks between the usual showing of X-rated tapes in the motel rooms. Opening night screening of all tapes at the lounge of the Caravan Lodge for the art community. Subsequent screenings in he motel rooms were unannounced to the motel patrons. (Foley 1980: 185) Curator(s): the artists Participants: Jose Maria Bustos, Peggy Ingalls, Tony Labat, Mike Osterhout. Date A point or period of time associated with an event in the lifecycle of the resource 18th-25th February 1978 Spatial Coverage Spatial characteristics of the resource. Caravan Lodge, 601 Eddy Street, now Phoenix Hotel Date Valid Date (often a range) of validity of a resource. 1978-02-18/1978-02-25 Has Part A related resource that is included either physically or logically in the described resource. <img src="/themes/exeter/images/resources/313.jpg" alt="" width="422" height="314" /> hotel Jose Maria Bustos sex Tony Labat video https://siteworks.exeter.ac.uk/files/original/7fb8299f69099b9cd7c5cd7d108dca80.jpg 8088cf4fe1210d7ece81747a0beb1727 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/618d73024f42dddacb65a1e9c5583c37.MP3 6db9d96a595c4d76bfe1fe8deb312e90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Installation Installation Subcategory: Video installation / Participatory event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Peter D'Agostino Description An account of the resource The corridor at Fort Point is a series of rooms receding into other rooms ending in an undefined dark space. Waiting in the corner of the dark room, I watch your approaching shadow against the light in the video monitor. As you pass into the room, I cross to open gate-like wooden doors shattering the brief reality of self-perception with a flood of permeating – yet illusive – outside light. PASSING endless rooms through an empty CORRIDOR WAITING in the corner of the darkest ROOM for the LIGHT. (D'Agostino 1976: 27) The PASSAGES video performance/installations at Fort Point (Dec 1974 and Nov 1975) were composed of live and recorded images and sounds juxtaposing my walks with those of the participants walking through the fort. Video monitors located throughout the corridors temporarily lit the darkened spaces with images of the surrounding landscape and sounds of the ocean hitting the breakers under the Golden Gate Bridge. (SF MoMA 2012) Creator An entity primarily responsible for making the resource D'Agostino, Peter Date A point or period of time associated with an event in the lifecycle of the resource 1976-11-03 Spatial Coverage Spatial characteristics of the resource. Fort Point, Old Mason Street Date Valid Date (often a range) of validity of a resource. 1976-11-03 light Peter D'Agostino site-specific video https://siteworks.exeter.ac.uk/files/original/fee53fab2b3649ea77bf245939ebb58a.jpg 12d85df062ee82def0f39d4f587eb285 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/9e389b7fffd12d37a2a0b71f851752d0.MP3 578c3dffc24ff280a582ea62c734e759 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Really, I've Never Done Anything Like This Before, He Said Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. T.R. Uthco (Doug Hall, Jody Proctor, and Diane Hall) Description An account of the resource The main portion of the piece – the “live” portion – was in the rear gallery at Otis. In the middle of the space, Doug Hall and Jody Proctor, naked to the waist, had their heads bound together with string. The men were illuminated by a circle of flashlights positioned around the floor. In the middle of the circle, the two men grappled with one another and carried on a dialogue that, under the circumstance, sounded remarkably reasonable. In the front gallery, this activity could be observed on a monitor flanked by two additional monitors on which tapes of three previously recorded activities were played in twenty-minute sequences. The performance was intended to last two hours. (Brennan 1977: 7) This performance of “double monologues”  could only be seen live by peeking through the small opening where the gallery door had been left slightly ajar. In an adjacent room, the performance could be watched more easily as a live feed to a monitor that was placed between two additional monitors, showing pre-recorded videos of actions related to the live, spoken narrative. (Hall 2013)   Creator An entity primarily responsible for making the resource T.R. Uthco (Doug Hall, Jody Proctor, and Diane Hall) Date A point or period of time associated with an event in the lifecycle of the resource 1977-11-04 Spatial Coverage Spatial characteristics of the resource. La Mamelle Arts Center, 3rd Floor, 70 12th Street at Market Temporal Coverage Temporal characteristics of the resource. 8pm-10pm Date Valid Date (often a range) of validity of a resource. 1977-11-04 Diane Hall Doug Hall Jody Proctor La Mamelle T.R. Uthco video https://siteworks.exeter.ac.uk/files/original/be4cc15e4900dd6f222ab6d4ce965283.jpg ec6bc24f2b580b1c0abe8492a75eea7e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/6f959dda155a112c95fefec0ff0967eb.MP3 9361ff954d9933c139ab9a484b1df221 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Artist's residence Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Residency at San Francisco Giants Spring Training Camp in Preparation for Videoape, Game of the Week Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Doug Hall Description An account of the resource Deftly intercutting illusion and reality, Game of the Week is an affectionate look at America's obsession with baseball. As artist-in-residence with the San Francisco Giants, Doug Hall lived out a life-long fantasy of playing Major League baseball. Hall half-mockingly, half-seriously immerses himself in the rituals of the game, from chewing tobacco and taking batting practice to signing autographs. Hall's sly fusion of fantasy and reality comments on the heroism with which the American public invests its sports figures, the mythic status that television confers on its participants, and the importance of spectacle and symbol in American culture. (Electronic Arts Intermix 2013) Creator An entity primarily responsible for making the resource Hall, Doug Date A point or period of time associated with an event in the lifecycle of the resource February-March 1977 Spatial Coverage Spatial characteristics of the resource. AT&T Park, 24 Willie Mays Plaza Date Valid Date (often a range) of validity of a resource. 1977-02-01/1977-03-31 Doug Hall site-specific video https://siteworks.exeter.ac.uk/files/original/386c486b7587df316368c51294c825a6.jpg ba07010ba6ef8a451e20dfb6f361d1e1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Tricycle - Contemporary Recreation IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:34:"Tricycle - Contemporary Recreation";} https://siteworks.exeter.ac.uk/files/original/49d5ac3ad4351bc2c04ff17100d435db.MP3 624ee8d6acae60f9f951a961446d6e9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tricycle-Contemporary Recreation Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Darryl Sapien with Michael Hinton Description An account of the resource Two performers wearing video camera headmounts and equipped with intercoms create two drawings on two gridded walls within a wedge shaped enclosure. Their markings are guided by a female director on the floor above them. She speaks in a code based on the clock and compass to guide each performer’s marker in the execution of their drawings. The director can see through the video eyes of each performer on two monitors facing her. On the lower floor the two performers act as her robotic hands, square by square creating what evolves into a child’s drawing of a man and woman. (Sapien 2013) Creator An entity primarily responsible for making the resource Sapien, Darryl Hinton Michael Date A point or period of time associated with an event in the lifecycle of the resource 1976-03-14 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1976-03-14 Darryl Sapien MOCA video https://siteworks.exeter.ac.uk/files/original/b11c55738ab95c6ccd231f9d4f1b07e3.jpg 36c1ef365cbf4d96d891b0cd63e38aea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Splitting the Axis Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Darryl Sapien with Michael Hinton Description An account of the resource Performance Proposal: Splitting the Axis The performance will consist of a single action on a vertical axis at point A on the diagram. Two men will climb a wood pole using metal lineman’s spurs and beginning at the top, thirty five feet above the floor, they will begin driving wedges into the pole simultaneously from opposite sides of the axis’ diameter. The men and the pole will be monitiored for sound by six small microphones attached to different sound-producing elements such as voices, metal spurs, the pole itself, etc. The recorded sound will be transmitted to six locations around the museum. There will be three video cameras and four monitors. The cameras will be furnished with zoom lenses and focused on various visual elements of the actions. The recorded images will be transmitted to monitors directly opposite the cameras on the other side of the museum, providing the viewer a glimpse of the other side of the performance. The fourth monitor will display a live mix of the images through the SEG (Special Effects Generator). There will be six locations in all for the cameras, speakers, and monitors; all six of these stations will be on a different level of the museum. The stations will be located at an equal radius from the axis and will be placed to interfere with the normal flow of traffic through the museum. The spectators will encounter them as they wander through the upper and lower levels of the structure. The audience will have the opportunity to see the performance live as a unit or electronically transformed as a visual fragment or disembodied sound. The audio and video systems will be used to shatter the shell separating performers from audience and fling its pieces throughout the multiple elevations of the museum, to surround the spectators and envelope them within the resonance of the performers’ dance. Even as the performers are busily splitting the grain of the pole, the electronic hardware will function to simultaneously disassemble the performers. Lastly, the diagram determining the layout of the axis and stations is derived from both the radially symmetrical architecture of the museum itself and a geometric symbol delineating the basic vectors of action within the performance […] two wedges penetrate a circle. (Sapien in Loeffler and Tong 1980: 232) Creator An entity primarily responsible for making the resource Sapien, Darryl Hinton Michael Date A point or period of time associated with an event in the lifecycle of the resource 1975-08-26 Has Part A related resource that is included either physically or logically in the described resource. <iframe src="http://archive.org/embed/cbpf_000058" frameborder="0" width="640" height="480"></iframe> Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1975-08-26 Berkeley Art Museum Darryl Sapien site-specific video https://siteworks.exeter.ac.uk/files/original/e9646a2cbac87706fcee92799c01c725.jpg 36c1ef365cbf4d96d891b0cd63e38aea https://siteworks.exeter.ac.uk/files/original/d2219c76cfc1d85c95996e6a4bddf2b8.MP3 079507ac679df61e4e8b51875d1d619e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Collaboration between Allan Fish and Tom Marioni Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni and/as Allan Fish Description An account of the resource Richard Beggs taped my heartbeat – put it on a loop and with an oscillating machine speeded it up to a 4/4 tempo equil. to a heartbeat at its fastest. the piece was 34 mins. long. first 15 min. was the heartbeat slowing down to a Dead stop. while this was going on I was sitting in a chair facing people sitting on the floor. i was wearing the Fish disguise and old clothes. on the tv monitor was my face as Marioni, hanging on the wall was a change of clothes. at end of 15 min. heartbeat was a constant hum and image on tv put on fake glasses, nose, moustache and hat while I (Fish) took off same disguise. that image was switched to stop frame. everything was frozen and I changed clothes, piled old clothes in a pile on the floor, went from orange to blue underwear. dressed in undertaker coat and cowboy shirt, heartbeat started slowly and monitor started, the next 15 min. was reverse of first 15 min. except last 5 min. i mixed two ½ pint bottles od white and chocolate milk into a 1 pint bottle that I dug up in my back yard. i drank the 50/50 mix while image on tv drank white milk. it was a reward for myself, when I was a kid my grandfather had a dairy in Syracuse n.y. and i drank milk from those little glass bottles. The video tape was an element in the piece and means nothing by itself. it was destroyed… (Marioni 1971: 2) Creator An entity primarily responsible for making the resource Marioni, Tom and/as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 1971-04-13 Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1971-04-13 Allan Fish Berkeley Art Museum Tom Marioni video https://siteworks.exeter.ac.uk/files/original/1fdf4f15c5f789f138cd6b814bf5dede.jpg 41242a76d94d9157b630f1efe0472bf3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Songs of the 80s: The Performance IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:33:"Songs of the 80s: The Performance";} https://siteworks.exeter.ac.uk/files/original/e8fda0f05a1fa940fd426b78d6939c86.MP3 f202f3b3c3916b7715bb6047a115a982 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Subsequently single channel-video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Songs of the 80s Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Doug Hall Description An account of the resource Based on a series of performances, the five episodes in Songs of the 80's examine themes of displacement, anger and containment. Metaphors for contemporary social and political tensions and the fragility of postmodern culture are realized with techniques such as slow motion, staccato editing and extended dissolves. In Fear of Falling and Sounds of Glass, power plants, flowers set aflame, a man tilted precariously in a chair, and a glass shattering are signs of a rigidly controlled society teetering on the edge of disintegration. Through the Room and Leaning forward Gracefully explore the isolation and disorientation of the human figure through dissolves and fragmentation. In These Are the Rules, Hall's performance as a demagogue who shouts out social "rules" contrasts the theater and spectacle of dictatorial pageantry with its empty rhetoric — the victory of form over content, style over substance. (Electronic Arts Intermix 2013a) Creator An entity primarily responsible for making the resource Hall, Doug Date A point or period of time associated with an event in the lifecycle of the resource 1981-09-12 Spatial Coverage Spatial characteristics of the resource. 80 Langton Street Date Valid Date (often a range) of validity of a resource. 1981-09-12 80 Langton Street Doug Hall video