1 10 26 https://siteworks.exeter.ac.uk/files/original/10ac69ef89ebd10307de2b532775c250.jpg 9463b113219a67ccf27aa7a22de83748 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Piss Piece IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:10:"Piss Piece";} https://siteworks.exeter.ac.uk/files/original/789c157f9cbd9f57dd8e28ccbb2a47da.MP3 b67719ea017b5bd8bcc495eb2d7494a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piss Piece Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni as Allan Fish Description An account of the resource My alter ego Allan Fish was one of the nine artists in the show [Sound Art]. Again, as in Richmond, the artist sent instructions for the curator to perform the work. I was announcing all the artists performances as they occurred, and I announced I would be performing Allan Fish’s piece for him. I climbed to the top of a stepladder and, with my back to the audience, peed into a big galvanized tub. As the water level went up, the sound level went down. It demonstrated a principle of physics. Since my back was to the audience, it was clear that this was not about exposing myself. It was funny and shocking, but mostly funny. The audience was laughing and applauding. I was famous in San Francisco for my Piss Piece for about twenty years, but it’s faded from memory now. Someone told me that Francis Coppola said he could never fill a bucket with water without thinking of my Piss Piece. (Marioni 2003: 95-6) Creator An entity primarily responsible for making the resource Marioni, Tom as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 10th April 1970 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 3rd floor, 86 3rd Street Date Valid Date (often a range) of validity of a resource. 1970-04-10 Allan Fish MOCA music Tom Marioni https://siteworks.exeter.ac.uk/files/original/0fad5d2972cd46a7b6807f6a47e33833.jpg 5dab82b6d834c14303c3b778eef01540 https://siteworks.exeter.ac.uk/files/original/17ce7c6355ebef10ccdb06fdc5297fbc.MP3 00afe506f49a6d8e97733e3a30b388b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Social event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Act of Drinking Beer with Friends is the Highest Form of Art Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni as Allan Fish Description An account of the resource In 1969 I had to have a way of exhibiting because I felt like exhibiting. It was too politically complicated to try to exhibit my work and be a curator at the same time for a combination of reasons which are probably obvious. So I had to exhibit under another name. I created a fictitious character, Allan Fish. And when it was no longer necessary to be concerned about those things, then I announced, by way of a transformation piece, that I was Allan Fish. The Act of Drinking Beer With Friends is the Highest Form of Art was the first Allan Fish one-man show. It took place at the Oakland Museum. I invited 21 of my friends to come and drink beer at the museum. And 16 people were there. All of the people were sculptors except for Werner Jepson, the music composer. We got drunk in the museum together and the debris that was left over was exhibited as documentation of that activity – empty beer cans and cigarette butts, just morning after kind of debris. It was to exaggerate the concept of the act being the art and the documentation being just a record of the real activity. (Marioni in Vergine 2000: 143) Table Of Contents A list of subunits of the resource. http://vimeo.com/37981379   Creator An entity primarily responsible for making the resource Marioni, Tom as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 26th October-8th November 1970 Has Part A related resource that is included either physically or logically in the described resource. <iframe src="http://www.youtube.com/embed/6ieR8cCoGQY?rel=0" frameborder="0" width="560" height="315"></iframe> Spatial Coverage Spatial characteristics of the resource. Oakland Museum of Art, 1000 Oak Street, Oakland Date Valid Date (often a range) of validity of a resource. 1970-10-26/1970-11-08 Allan Fish beer drunkeness invisible artwork Oakland Museum social artwork Tom Marioni https://siteworks.exeter.ac.uk/files/original/61861fb45ed7685aafec801ee1bdfb40.jpg 442f414207935a1855851bbdbf9b3e02 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/4017d040f6c174f11573d32258c38bf7.MP3 674bf50d4822087f20cab91b46a80b24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allan Fish Drinks a Case of Beer Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni as Allan Fish Description An account of the resource In 1969 I had to have a way of exhibiting because I felt like exhibiting. It was too politically complicated to try to exhibit my work and be a curator at the same time for a combination of reasons which are probably obvious. So I had to exhibit under another name. I created a fictitious character, Allan Fish. And when it was no longer necessary to be concerned about those things, then I announced, by way of a transformation piece, that I was Allan Fish […] Last Summer I did a piece called Allan Fish Drinks a Case of Beer, which has to do with creating a situation, an environment, while becoming increasingly more intoxicated over about an eight hour period. The Reese Palley Gallery bought a case of Becks beer for me. I put it in the refrigerator, and had the refrigerator in the gallery. I had all the things in the gallery that I needed to be comfortable. I had a TV set, my easy chair, a tape recorder, a refrigerator, and a can opener hanging down on a string from the ceiling. To separate myself from people that came into the gallery. I ran thread at about 30-degree angle across the room. The thread was white for the first foot, and then it was black across the room, and then it was white for the last foot against the wall. It looked like thin black lines floating, the kind of lines you see on your TV screens when you get disturbance. I tried to create an image with lines across it that would serve as a barrier. The lines also served as a screen, a projection of everything that was in the room, tending to make it all two-dimensional, as in a painting. I also had my conga drum there. I played my conga drum while the tape recorder, the radio, and the television set and the phonograph records were all playing simultaneously. I had a barrage of noise. Later in the day, as I was very drunk, those were the kinds of sounds I needed to keep me going. At a point when I was very drunk, I drew lines on the right side of my face and the left side of my face that suggested the contours of my own face moving around the left side of my face, so that it appeared, as in Futurist paintings, that I was moving fast when I couldn’t move fast. To compensate, I drew these lines to make it look like I was moving faster than I was. (Marioni in Vergine 2000: 143-4). Creator An entity primarily responsible for making the resource Marioni, Tom as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 10th August 1971 Spatial Coverage Spatial characteristics of the resource. Reese Palley Gallery, 140 Maiden Lane, now Xanadu Gallery Date Valid Date (often a range) of validity of a resource. 1971-08-10 Allan Fish beer drunkeness Reese Palley Gallery Tom Marioni https://siteworks.exeter.ac.uk/files/original/3e1f1eb17a8b7a288508a3442e517131.jpg 5bb6fe17ed45577febf3947b38fab8c2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Handcuff: Linda Montano and Tom Marioni IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:39:"Handcuff: Linda Montano and Tom Marioni";} https://siteworks.exeter.ac.uk/files/original/70a3c0dcc2ed78cbf53d7120c11923ff.MP3 0f41a6c3c41e8cb56f779785b8eb03f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peripatetic Performance Performance Subcategory: Video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handcuff: Linda Montano and Tom Marioni Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Linda Montano Description An account of the resource For three days Tom Marioni and I were handcuffed together. For ten minutes each day we made a video document of the event. The time together became a study in movement and mutual signaling. (Montano 1981, pages unnumbered) Linda Montano came to me with the idea that she and I would be handcuffed together for three days. It was her work, and I was a participant in the piece. At the opening we showed a video that was half an hour long. Videotapes were reel to reel in those days and thirty minutes long. I had a video recorder that was like a big trunk, and sometime during each day or evening I would turn the camera on and record ten minutes straight without stopping. One day we ate dinner during a ten-minute segment. In another segment we walked around. We were doing normal things that anyone would do, but we could only show things we did in MOCA because the video recorder was so heavy. The video was just to get a record of some of our activities. It wasn’t the point of the piece. While we were handcuffed, we rode on the bus, went out to eat, went to the movies, went to the hardware store, in other words had a life. (Marioni 2003: 106)  Creator An entity primarily responsible for making the resource Montano, Linda Date A point or period of time associated with an event in the lifecycle of the resource 2nd-5th November 1973 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1973-11-02/1973-11-05 everyday life handcuff Linda Montano MOCA Tom Marioni https://siteworks.exeter.ac.uk/files/original/692de3943a4575fe226e068b6f57a521.jpg 517b59a5657ab1fcf3fe364805f16c8f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Café Society (Last Day at Breen’s Bar) IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:41:"Café Society (Last Day at Breen’s Bar)";} https://siteworks.exeter.ac.uk/files/original/9ac0a71906729a7c0c75c0a8500090e0.MP3 294f030482d315c4c2c18b686f5c0d53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Social event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Café Society Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource Breen’s Bar, Salon of MOCA, the site of Marioni’s Café Society, where on Wednesdays from 2-4 p.m. artists would meet and exchange ideas and energy. Beer was free. Marioni’s “concept of Café Society is drunken parties where ideas are born.” (Loeffler and Tong 1980: 366) Tom Marioni loosely organized a group of people who met in a place called Breen’s Bar on Third between Mission and Market. It was an old bar used by the San Francisco Chronicle writers. It became a kind of unofficial meeting place, a place where people, mainly artists, would go and gather and talk. Maybe just fool around. But a place where we could meet. There actually were a number of shows done in that bar; we did a sculpture-sound show organized by Tom Marioni that ended up on KPFA radio in Berkeley. And slowly a lot of energy began to develop around him. (Woodall in Shank 1989: 269)   Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1976-1979 Spatial Coverage Spatial characteristics of the resource. Breen's Bar, Saloon of MOCA, ground floor of 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1976-01-01/1979-12-31 Breen's Bar invisible artwork MOCA social artwork Tom Marioni https://siteworks.exeter.ac.uk/files/original/b0962174994f78cf87955fdbce1226b8.jpg 4b424f89a724a21cb73c2432a4665ec0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:A Participation Piece by Willoughby Sharp Opening the Museum of Conceptual Art IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:78:"A Participation Piece by Willoughby Sharp Opening the Museum of Conceptual Art";} https://siteworks.exeter.ac.uk/files/original/33a3011f59be6e281045f64641fe06a1.MP3 abde1aa13d4351df0edf9ca5983f5128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Social event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A participation piece by Willoughby Sharp Opening the Museum of Conceptual Art Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Willoughby Sharp Description An account of the resource No description available. Creator An entity primarily responsible for making the resource Sharp, Willoughby Date A point or period of time associated with an event in the lifecycle of the resource 18th March 1970 Spatial Coverage Spatial characteristics of the resource. 86 3rd Street, suite 401 Temporal Coverage Temporal characteristics of the resource. 8pm Date Valid Date (often a range) of validity of a resource. 1970-03-18 Has Part A related resource that is included either physically or logically in the described resource. <img src="/themes/exeter/images/resources/103.jpg" alt="" width="422" height="577" /> MOCA Tom Marioni Willoughby Sharp https://siteworks.exeter.ac.uk/files/original/e9646a2cbac87706fcee92799c01c725.jpg 36c1ef365cbf4d96d891b0cd63e38aea https://siteworks.exeter.ac.uk/files/original/d2219c76cfc1d85c95996e6a4bddf2b8.MP3 079507ac679df61e4e8b51875d1d619e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Collaboration between Allan Fish and Tom Marioni Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni and/as Allan Fish Description An account of the resource Richard Beggs taped my heartbeat – put it on a loop and with an oscillating machine speeded it up to a 4/4 tempo equil. to a heartbeat at its fastest. the piece was 34 mins. long. first 15 min. was the heartbeat slowing down to a Dead stop. while this was going on I was sitting in a chair facing people sitting on the floor. i was wearing the Fish disguise and old clothes. on the tv monitor was my face as Marioni, hanging on the wall was a change of clothes. at end of 15 min. heartbeat was a constant hum and image on tv put on fake glasses, nose, moustache and hat while I (Fish) took off same disguise. that image was switched to stop frame. everything was frozen and I changed clothes, piled old clothes in a pile on the floor, went from orange to blue underwear. dressed in undertaker coat and cowboy shirt, heartbeat started slowly and monitor started, the next 15 min. was reverse of first 15 min. except last 5 min. i mixed two ½ pint bottles od white and chocolate milk into a 1 pint bottle that I dug up in my back yard. i drank the 50/50 mix while image on tv drank white milk. it was a reward for myself, when I was a kid my grandfather had a dairy in Syracuse n.y. and i drank milk from those little glass bottles. The video tape was an element in the piece and means nothing by itself. it was destroyed… (Marioni 1971: 2) Creator An entity primarily responsible for making the resource Marioni, Tom and/as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 1971-04-13 Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1971-04-13 Allan Fish Berkeley Art Museum Tom Marioni video https://siteworks.exeter.ac.uk/files/original/4e0b4508a2489a76d249447274d5e7bf.jpg cc6eeaa91774f4990cbd8e8a8c573eb9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/cad39301fad244f85d661c617208f9d9.MP3 f778b304d10d256fae9c15fe305d2cf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Creation, a Seven Day Performance Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource I lived in the gallery for a week making art actions each day that related to the creation of the world as described in the Bible. (Marioni 1997: 17) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 16th-23rd April 1972 Spatial Coverage Spatial characteristics of the resource. Reese Palley Gallery, 550 Sutter Street between Mason and Powell Streets, now 556 Sutter Date Valid Date (often a range) of validity of a resource. 1972-04-16/1972-04-23 everyday life Reese Palley Gallery Tom Marioni https://siteworks.exeter.ac.uk/files/original/06a45de4b7603e8f7befcb0fcf2bf5f8.jpg 36c1ef365cbf4d96d891b0cd63e38aea https://siteworks.exeter.ac.uk/files/original/36f81d0a56bf37310738364b0a8624e2.MP3 13a098a1b6f80e01fef5ff72a4e732d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Concert: Lecture: Demonstration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource lecture/demonstration Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource In 1973 at the University Art Museum Berkeley I made a demonstration about intention. I called it “lecture/demonstration” because I meant it to be instructional. I outlined a square area with masking tape on the floor of the museum’s central open space. People watched from above. I had my band at that time, the MOCA Ensemble, and for the first part of the piece they played bebop jazz. While they played, the janitor of the museum, the real janitor, swept the floor with sweeping compound. He did the job of getting the floor clean. Next, a dancer swept the floor with the same broom while the band played a jazz waltz. She put feathers on the floor first, and children ran through them while she was sweeping. She was interested in the grace of the body moving through the space. After she finished, an actor swept the floor, using the same broom. The band played movie soundtrack music. He swept the floor with a flourish, playing to the audience, always facing the audience, like he would on a stage. He was concerned with convincing the audience that he was a janitor. It didn’t matter to him whether he got the floor clean. He was less concerned about the grace of his body than about playing the role and being convincing. I was the last one to sweep the floor. The music was free jazz. I used sand, a sculptural material, and gave the floor an even coating. As I swept, I made patterns, manipulating the material. That was my concern, moving the material. When the janitor swept the floor, it was real life. When the dancer swept the floor, it was dance. When the actor swept the floor, it was theatre. And when I swept the floor, it was sculpture, a sculpture action. The same activity was different, depending on the intent of the person doing it. (Marioni 2003: 138) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1973-07-01 Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1973-07-01 acting Berkeley Art Museum dance everyday life lecture performance Tom Marioni https://siteworks.exeter.ac.uk/files/original/4ce42c675808c202c30734b9df4e8d57.jpg bb2077a9f99630b05d0205a200fe77b5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Drum Brush Lecture IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:18:"Drum Brush Lecture";} https://siteworks.exeter.ac.uk/files/original/bd07c08cbc2590e874fcfe215e51413b.MP3 19d6c53ea6020ff7ee5f9887b61ebcf6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Lecture: Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drum Brush Lecture Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource I made my first drum brush drawings in 1972 and I continue to make these drawings, which are inspired by the automatic writing of the surrealist movement. The drawings are the result of rubbing and beating with steel wire drum brushes ( like jazz drummers use) against a large sheet of sandpaper. The steel is transferred to the paper over a long period of time and the brushing on the sandpaper makes a rasping sound. The action is repetitive like that of a knife against a sharpening stone. The left hand makes a single arc, up and down, while the right hand moves in a circle-like motion in the shape of a violin or an artist’s palette. Over the years the drawings have changed only slightly, like handwriting changes as personality evolves. This becomes a kind of talk drumming, played on a hollow core drawing board. The result is a pictorial record of the sound activity, a marriage of art and music. During a drawing/drumming session, because of the repetition of sound and action a trance state can occur and I can see elements of fantasy in the marks. To most people the results look like birds flying to the left. (Marioni 1997: 24) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1974-11-25 Spatial Coverage Spatial characteristics of the resource. 63 Bluxome Street at 4th Street, now 63 Bluxome Street Gallery Date Valid Date (often a range) of validity of a resource. 1974-11-25 63 Bluxome Street drawing flight jazz music Tom Marioni