1 10 26 https://siteworks.exeter.ac.uk/files/original/ce9577d4fbdcc4559c4ca09fd9d9c4d6.jpg 0166aca885fb1ab93d032e9f1307bb20 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:The Restoration of a Portion of the Back Wall, Ceiling and Floor of the Main Gallery of the Museum of Conceptual Art IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:116:"The Restoration of a Portion of the Back Wall, Ceiling and Floor of the Main Gallery of the Museum of Conceptual Art";} https://siteworks.exeter.ac.uk/files/original/43712be526b29313bfeb0a1acd4d1b42.MP3 585e35309c966b271a6a78d50b47a3e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Restoration of a Portion of the Black Wall, Ceiling, and Floor of the Main Gallery of the Museum of Conceptual Art Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. David Ireland Description An account of the resource In 1975 I did a show called “Second Generation” with artists who had been students of the artists of my generation. One of the artists [Daryl Sapien] painted a large section of the back wall, ceiling, and floor white to set up a space for his performance. After the show I could see that this white section interfered with the character of the space, which had been a printing company for fifty years before I moved in. Being concerned with traditional museum functions like preservation, collection, and restoration, I thought of the space as a relic of the mechanical age. I got the idea to restore the back wall area of MOCA when I read about the restoration of The Night Watch, a painting by Rembrandt that had been slashed in the Rijksmuseum in Amsterdam. They built a special room in the museum with windows around it so the public could watch the restoration like sidewalk spectators. Up until that time, 1976, there had never been a painting show in MOCA. I asked a painter friend of mine, David Ireland, if he wanted to collaborate with me to fix the space. Working every day for a month, he scraped the white paint off the floor and rubbed it with printer’s ink to stain in back to the original colour. He worked from photographs to match the colours and restore painted shapes that had been on the wall when the printing company had painted around equipment. He replaced the moldings that had been cut away. Each day I would videotape the progress, a kind of time-lapse photography. We were making a Photorealist painting, and when the work was done there was a completely invisible artwork. (Marioni 2003: 113-14) Creator An entity primarily responsible for making the resource Ireland, David Date A point or period of time associated with an event in the lifecycle of the resource 1976-02-10 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1976-02-10 David Ireland invisible artwork MOCA restoration site-specific Tom Marioni https://siteworks.exeter.ac.uk/files/original/4e0b4508a2489a76d249447274d5e7bf.jpg cc6eeaa91774f4990cbd8e8a8c573eb9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/cad39301fad244f85d661c617208f9d9.MP3 f778b304d10d256fae9c15fe305d2cf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Creation, a Seven Day Performance Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource I lived in the gallery for a week making art actions each day that related to the creation of the world as described in the Bible. (Marioni 1997: 17) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 16th-23rd April 1972 Spatial Coverage Spatial characteristics of the resource. Reese Palley Gallery, 550 Sutter Street between Mason and Powell Streets, now 556 Sutter Date Valid Date (often a range) of validity of a resource. 1972-04-16/1972-04-23 everyday life Reese Palley Gallery Tom Marioni https://siteworks.exeter.ac.uk/files/original/06a45de4b7603e8f7befcb0fcf2bf5f8.jpg 36c1ef365cbf4d96d891b0cd63e38aea https://siteworks.exeter.ac.uk/files/original/36f81d0a56bf37310738364b0a8624e2.MP3 13a098a1b6f80e01fef5ff72a4e732d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Concert: Lecture: Demonstration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource lecture/demonstration Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource In 1973 at the University Art Museum Berkeley I made a demonstration about intention. I called it “lecture/demonstration” because I meant it to be instructional. I outlined a square area with masking tape on the floor of the museum’s central open space. People watched from above. I had my band at that time, the MOCA Ensemble, and for the first part of the piece they played bebop jazz. While they played, the janitor of the museum, the real janitor, swept the floor with sweeping compound. He did the job of getting the floor clean. Next, a dancer swept the floor with the same broom while the band played a jazz waltz. She put feathers on the floor first, and children ran through them while she was sweeping. She was interested in the grace of the body moving through the space. After she finished, an actor swept the floor, using the same broom. The band played movie soundtrack music. He swept the floor with a flourish, playing to the audience, always facing the audience, like he would on a stage. He was concerned with convincing the audience that he was a janitor. It didn’t matter to him whether he got the floor clean. He was less concerned about the grace of his body than about playing the role and being convincing. I was the last one to sweep the floor. The music was free jazz. I used sand, a sculptural material, and gave the floor an even coating. As I swept, I made patterns, manipulating the material. That was my concern, moving the material. When the janitor swept the floor, it was real life. When the dancer swept the floor, it was dance. When the actor swept the floor, it was theatre. And when I swept the floor, it was sculpture, a sculpture action. The same activity was different, depending on the intent of the person doing it. (Marioni 2003: 138) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1973-07-01 Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1973-07-01 acting Berkeley Art Museum dance everyday life lecture performance Tom Marioni https://siteworks.exeter.ac.uk/files/original/4ce42c675808c202c30734b9df4e8d57.jpg bb2077a9f99630b05d0205a200fe77b5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Drum Brush Lecture IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:18:"Drum Brush Lecture";} https://siteworks.exeter.ac.uk/files/original/bd07c08cbc2590e874fcfe215e51413b.MP3 19d6c53ea6020ff7ee5f9887b61ebcf6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Lecture: Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drum Brush Lecture Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource I made my first drum brush drawings in 1972 and I continue to make these drawings, which are inspired by the automatic writing of the surrealist movement. The drawings are the result of rubbing and beating with steel wire drum brushes ( like jazz drummers use) against a large sheet of sandpaper. The steel is transferred to the paper over a long period of time and the brushing on the sandpaper makes a rasping sound. The action is repetitive like that of a knife against a sharpening stone. The left hand makes a single arc, up and down, while the right hand moves in a circle-like motion in the shape of a violin or an artist’s palette. Over the years the drawings have changed only slightly, like handwriting changes as personality evolves. This becomes a kind of talk drumming, played on a hollow core drawing board. The result is a pictorial record of the sound activity, a marriage of art and music. During a drawing/drumming session, because of the repetition of sound and action a trance state can occur and I can see elements of fantasy in the marks. To most people the results look like birds flying to the left. (Marioni 1997: 24) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1974-11-25 Spatial Coverage Spatial characteristics of the resource. 63 Bluxome Street at 4th Street, now 63 Bluxome Street Gallery Date Valid Date (often a range) of validity of a resource. 1974-11-25 63 Bluxome Street drawing flight jazz music Tom Marioni https://siteworks.exeter.ac.uk/files/original/9b8a20b38a2dc217fff10c330de8a886.jpg 52ca33b9de14d3dc21c46522b2a3324e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/da1db05bddbc1bf0beb3b1007ebfab51.MP3 2ce7a152c1d8727bc84cd7a3e9f3adba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Installation Installation Subcategory: Performance: Social event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Museum of Conceptual Art at the San Francisco Museum of Modern Art Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource For a period of 6 weeks, aspects of the Museum of Conceptual Art (MOCA), will be located at the San Francisco Museum of Modern Art. Two rooms will be presented – one, a re-created MOCA environment which invites participation; another is a documentation of MOCA’s actual site and location through colour photographs by Paul Hoffman. The MOCA exhibition will have its own hours: open to the public only in the afternoons from 1.00pm on. (Marioni 1979) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 2nd May-14th June 1979 Spatial Coverage Spatial characteristics of the resource. San Francisco Museum of Modern Art, San Francisco War Memorial and Veteran's Building, 401 Ven Ness Avenue, now San Francisco War Memorial and Performing Arts Center Date Valid Date (often a range) of validity of a resource. 1979-05-02/1979-06-14 Temporal Coverage Temporal characteristics of the resource. 1pm onwards daily beer MOCA SFMMA Tom Marioni https://siteworks.exeter.ac.uk/files/original/692de3943a4575fe226e068b6f57a521.jpg 517b59a5657ab1fcf3fe364805f16c8f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Café Society (Last Day at Breen’s Bar) IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:41:"Café Society (Last Day at Breen’s Bar)";} https://siteworks.exeter.ac.uk/files/original/9ac0a71906729a7c0c75c0a8500090e0.MP3 294f030482d315c4c2c18b686f5c0d53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Performance Subcategory: Social event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Café Society Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource Breen’s Bar, Salon of MOCA, the site of Marioni’s Café Society, where on Wednesdays from 2-4 p.m. artists would meet and exchange ideas and energy. Beer was free. Marioni’s “concept of Café Society is drunken parties where ideas are born.” (Loeffler and Tong 1980: 366) Tom Marioni loosely organized a group of people who met in a place called Breen’s Bar on Third between Mission and Market. It was an old bar used by the San Francisco Chronicle writers. It became a kind of unofficial meeting place, a place where people, mainly artists, would go and gather and talk. Maybe just fool around. But a place where we could meet. There actually were a number of shows done in that bar; we did a sculpture-sound show organized by Tom Marioni that ended up on KPFA radio in Berkeley. And slowly a lot of energy began to develop around him. (Woodall in Shank 1989: 269)   Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1976-1979 Spatial Coverage Spatial characteristics of the resource. Breen's Bar, Saloon of MOCA, ground floor of 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1976-01-01/1979-12-31 Breen's Bar invisible artwork MOCA social artwork Tom Marioni https://siteworks.exeter.ac.uk/files/original/6efbbc12dd518d595d6e0447d9c52f0b.jpg 7f54341ccbc15047fd330bd5ed8b0ce7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/9f35fc611ad03035d1305357bd806d5f.MP3 333be5c2afcb73ebea814959452da12e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sound of Flight Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource I made my first drum brush drawings in 1972 and I continue to make these drawings, which are inspired by the automatic writing of the surrealist movement. The drawings are the result of rubbing and beating with steel wire drum brushes ( like jazz drummers use) against a large sheet of sandpaper. The steel is transferred to the paper over a long period of time and the brushing on the sandpaper makes a rasping sound. The action is repetitive like that of a knife against a sharpening stone. The left hand makes a single arc, up and down, while the right hand moves in a circle-like motion in the shape of a violin or an artist’s palette. Over the years the drawings have changed only slightly, like handwriting changes as personality evolves. This becomes a kind of talk drumming, played on a hollow core drawing board. The result is a pictorial record of the sound activity, a marriage of art and music. During a drawing/drumming session, because of the repetition of sound and action a trance state can occur and I can see elements of fantasy in the marks. To most people the results look like birds flying to the left. (Marioni 1997: 24) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1977 Spatial Coverage Spatial characteristics of the resource. De Young Memorial Museum, Hagiwara Tea Garden Drive, Golden gate Park Date Valid Date (often a range) of validity of a resource. 1977-03-01 De Young Memorial Museum flight jazz music Tom Marioni https://siteworks.exeter.ac.uk/files/original/4cda6c183b5b01c676d5ce3aa2713028.jpg e97c5d029be5c509b4536dede4f1a783 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/4f7294c8d0b4a94982db6dd7c5192395.jpg 36c1ef365cbf4d96d891b0cd63e38aea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Studio Berkeley Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource In Studio Marioni draws his life-sized shadow which is distorted by a piece of black velvet suspended between two yellow spotlights and the vertical drawing surface. In a recent conversation Marioni explained that he chose yellow light because it is linked with the intellect in alchemical theory and would, therefore, facilitate the telepathic communication he hopes to achieve with his audience. Musical sound, alternating between jazz and classical, accompanies the action as much as it would in his own studio. It is significant to note that Marioni has maintained a life-long association with jazz and percussion which is manifested in both his drum brush drawings as well as in the action/drawing Studio. (Lewallen 1980: 3) It is a tableau whose props suggest Marioni’s place of work. Bathed in yellow – traditionally a colour symbolizing enlightenment and the intellect – the space is filled with the artist’s presence. A large sheet of paper is affixed to the rear wall, upon which Marioni casts an attenuated shadow. Behind the paper are two contact microphones that pick up the sound of the artist’s pencil rhythmically filling in the shadow […] As Marioni relaxes, the pencil stroke is determined by the rhythm of his body […] It is […] interrupted as Marioni opens and pours a bottle of beer and later moves from the shadow to a parallelogram of light – the reflection of a tilted mirror. At that point one perceives the overriding plan, for Marioni is setting down a record of the artist at work: the shadow exerts its presence by filling and transforming its opposite, the “empty” circle of light. (Marioni 1997: 23) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1st November 1980 Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1980-11-01 beer Berkeley Art Museum jazz studio Tom Marioni yellow https://siteworks.exeter.ac.uk/files/original/e9646a2cbac87706fcee92799c01c725.jpg 36c1ef365cbf4d96d891b0cd63e38aea https://siteworks.exeter.ac.uk/files/original/d2219c76cfc1d85c95996e6a4bddf2b8.MP3 079507ac679df61e4e8b51875d1d619e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Collaboration between Allan Fish and Tom Marioni Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni and/as Allan Fish Description An account of the resource Richard Beggs taped my heartbeat – put it on a loop and with an oscillating machine speeded it up to a 4/4 tempo equil. to a heartbeat at its fastest. the piece was 34 mins. long. first 15 min. was the heartbeat slowing down to a Dead stop. while this was going on I was sitting in a chair facing people sitting on the floor. i was wearing the Fish disguise and old clothes. on the tv monitor was my face as Marioni, hanging on the wall was a change of clothes. at end of 15 min. heartbeat was a constant hum and image on tv put on fake glasses, nose, moustache and hat while I (Fish) took off same disguise. that image was switched to stop frame. everything was frozen and I changed clothes, piled old clothes in a pile on the floor, went from orange to blue underwear. dressed in undertaker coat and cowboy shirt, heartbeat started slowly and monitor started, the next 15 min. was reverse of first 15 min. except last 5 min. i mixed two ½ pint bottles od white and chocolate milk into a 1 pint bottle that I dug up in my back yard. i drank the 50/50 mix while image on tv drank white milk. it was a reward for myself, when I was a kid my grandfather had a dairy in Syracuse n.y. and i drank milk from those little glass bottles. The video tape was an element in the piece and means nothing by itself. it was destroyed… (Marioni 1971: 2) Creator An entity primarily responsible for making the resource Marioni, Tom and/as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 1971-04-13 Spatial Coverage Spatial characteristics of the resource. University Art Museum Berkeley, 2626 Bancroft Way, Berkeley Date Valid Date (often a range) of validity of a resource. 1971-04-13 Allan Fish Berkeley Art Museum Tom Marioni video https://siteworks.exeter.ac.uk/files/original/10ac69ef89ebd10307de2b532775c250.jpg 9463b113219a67ccf27aa7a22de83748 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Piss Piece IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:10:"Piss Piece";} https://siteworks.exeter.ac.uk/files/original/789c157f9cbd9f57dd8e28ccbb2a47da.MP3 b67719ea017b5bd8bcc495eb2d7494a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piss Piece Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni as Allan Fish Description An account of the resource My alter ego Allan Fish was one of the nine artists in the show [Sound Art]. Again, as in Richmond, the artist sent instructions for the curator to perform the work. I was announcing all the artists performances as they occurred, and I announced I would be performing Allan Fish’s piece for him. I climbed to the top of a stepladder and, with my back to the audience, peed into a big galvanized tub. As the water level went up, the sound level went down. It demonstrated a principle of physics. Since my back was to the audience, it was clear that this was not about exposing myself. It was funny and shocking, but mostly funny. The audience was laughing and applauding. I was famous in San Francisco for my Piss Piece for about twenty years, but it’s faded from memory now. Someone told me that Francis Coppola said he could never fill a bucket with water without thinking of my Piss Piece. (Marioni 2003: 95-6) Creator An entity primarily responsible for making the resource Marioni, Tom as Allan Fish Date A point or period of time associated with an event in the lifecycle of the resource 10th April 1970 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 3rd floor, 86 3rd Street Date Valid Date (often a range) of validity of a resource. 1970-04-10 Allan Fish MOCA music Tom Marioni