1 10 30 https://siteworks.exeter.ac.uk/files/original/6ab3604133867300e6ab8500212a64fc.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/5724dd8843e16ead01c3adbcf5c7732f.MP3 183cfd0122df2eef9cedf8c3f72e79b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saloon of MOCA Description An account of the resource For a couple of years in 1973 and 1974 every Wednesday afternoon there was free beer in MOCA while artists’ video tapes were shown. In ’76 I decided to meet people downstairs in Breen’s Café, and I sent out cards announcing Café Society “twotofour” every Wednesday in the Saloon of MOCA. I got the name from Bob Feldman, a New York publisher. I had just done a one page photo-work for San Francisco Magazine that said, “There is meaning in life only only if you devote yourself to society,” and when Feldman saw it he said, “café society.” I went down to Breen’s every Wednesday, sat there, and drank a beer. In the afternoon Breen’s wasn’t busy, and we took over the booths in the front of the bar. Later, the booths were reserved for us. Over the years, the meeting time had gotten later. Now, it’s in my studio and is from five to eight. My Café Society became a kind of open house for artists, an artists’ bar, really. In New York, a lot of artists were living in the same neighborhood, SoHo, which had bars where they hung out. But the only way to get an artists’ scene going in San Francisco was to do it in an artificial way, by formalizing it, by inviting people. This is a social artwork for me, another kind of invisible work (Marioni 2003: 115) Curator(s): Tom Marioni Participants: Tom Marioni, various Date A point or period of time associated with an event in the lifecycle of the resource 1976-1979 Spatial Coverage Spatial characteristics of the resource. Breen's Bar, Saloon of MOCA, ground floor of 75 3rd Street, San Francisco, now redeveloped Date Valid Date (often a range) of validity of a resource. 1976-01-01/1979-12-31 Breen's Bar MOCA social artwork Tom Marioni https://siteworks.exeter.ac.uk/files/original/3edb4ee52472e1addf11610a25907738.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/b434b1bd715424c2be5d20d6c1cabf56.MP3 14a68c9d9098985bd52fe60742726938 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: A Tight 13 Minutes Description An account of the resource 13 one minute colour video works Curator(s): Tom Marioni Participants: Richard Alpert, Dianne Blell, Kevin Costello, Terry Fox, Howard Fried, Mel Henderson, Paul Kos, Stephen Laub, Tom Marioni, Jim Melchert, Masashi Matsumoto, Suzanne Spater, Irv Tepper Date A point or period of time associated with an event in the lifecycle of the resource 21st December 1978 Spatial Coverage Spatial characteristics of the resource. Breen's Bar, Saloon of MOCA, ground floor of 75 3rd Street, San Francisco, now redeveloped Date Valid Date (often a range) of validity of a resource. 1978-12-21 Breen's Bar Diane Blell Howard Fried Jim Melchert MOCA Paul Kos Terry Fox Tom Marioni video https://siteworks.exeter.ac.uk/files/original/25b45b4933c453df548b244d26092694.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/e8e8c5d69fb314086da20fbf13c95c79.MP3 8c02a48300fe703286739b4840472872 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: Opening of The Museum of Conceptual Art at 75 3rd Street Description An account of the resource On Wednesday, January 3, 1973, the Museum of Conceptual Art opened its doors across the street from its previous space in San Francisco. The new address (75 Third Street) is above the Breen’s Bar where many previous showings by MOCA have occurred. In this dingy loft, previously used by a printing company, about 500 artists and viewers gathered between 7pm and 11pm expecting to witness a startling new show by the museum’s curator Tom Marioni. Instead, they were left staring at each other and less than adequate quantity of bottled Fisher beer. By the time I arrived at 9 pm, the two turkeys and other delicacies placed near the entrance were nothing more than grisly carcass's and empty plates. Here are the sounds of the crowd at that event, an interview with Director Tom Marioni and his mother from Cincinnati, Ohio, and a long recording of the opening and closing of the refrigerator door by thirsty members of the crowd looking in vain for another beer. (Amirkhanian 1973) Curator(s): Tom Marioni Participants: Unrecorded Date A point or period of time associated with an event in the lifecycle of the resource 3rd January 1973 Has Part A related resource that is included either physically or logically in the described resource. <iframe src="http://archive.org/embed/MFM_1973_01_03" frameborder="0" width="500" height="30"></iframe> Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1973-01-03 beer invisible artwork MOCA social artwork Tom Marioni https://siteworks.exeter.ac.uk/files/original/04fcef69108c2d89628c5807a7fb85f1.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/2ed1130e974b4b936e54f71019f13bbd.MP3 0e7978162ebc9ff1167c717d4fb50315 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: Second Generation Description An account of the resource This night of performances was a celebration of MOCA’s fifth anniversary and, according to Marioni, the last group exhibition at MOCA. (Foley 1980: 160) In a wedge-shaped space with large rectangular grids painted on opposing walls, Sapien and Mike Hinton worked at recreating a relatively simple drawing by following instructions delivered via headphone from Cyd Gibson. Sapien and Hllton were on MOCA’s second floor. Gibson on the third floor. The drawing was presented to Gibson in grid sections on slides projected on the wall in front of her. Television monitors fed by cameras fixed to helmets worn by Sapien and Hilton showed Gibson what was going on downstairs and also provided the only means of seeing available to Sapien and Hinton. Off in a dark corner Craig Schiller mixed feeds from all the various cameras and monitors into a dense video sandwich. (Kent 1975: 5) Curator(s): Tom Marioni Participants: Richard Alpert, Jim Pomeroy, Darryl Sapien with Michael Hinton, Stefan Weisser, Irv Tepper. Date A point or period of time associated with an event in the lifecycle of the resource 14th March 1975 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1975-03-14 Has Part A related resource that is included either physically or logically in the described resource. <img src="/themes/exeter/images/resources/310.jpg" alt="" width="422" height="160" /> Darryl Sapien Jim Pomeroy MOCA Richard Alpert Tom Marioni https://siteworks.exeter.ac.uk/files/original/099bf36ffa42fc5ad497308c5972bb24.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/48d23ce922e15d517de7101f43c6d058.MP3 cc71b9516e65ec31e44c922064420486 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: Chinese Youth Alternative Description An account of the resource All day exhibition of a floor in the same building as MOCA, which was vandalized by a Chinese youth group. When the group was evicted, Marioni opened the space for exhibition. (Foley 1980: 158) In 1974 the San Francisco Redevelopment Agency, my landlord, gave the floor above my museum to another nonprofit organization, the Chinese Youth Alternative. In Chinatown there were two main gangs at the time. One was for American born Chinese, and the other, the Wa Ching, was for Hong Kong born. The Wa Ching were my new neighbours. After six months of gang warfare in the building these juvenile delinquents were evicted and I got back the third floor, which I had bee using before this group moved in. The walls were full of holes and covered wit English and Chinese graffiti. There was broken furniture everywhere. It looked like the place had been bombed. I sent out an announcement, with a picture, inviting people to a one day viewing of an environmental exhibition by the Chinese Youth Alternative. This was an invisible work of mine. I claimed the space and presented it as a work of art. It was a ready-made installation, a piece of real life that became art in the context of an art museum. (Marioni 2003: 112-13) Curator(s): Tom Marioni. Participants: Tom Marioni. Date A point or period of time associated with an event in the lifecycle of the resource 9th November 1974 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1974-11-09 Has Part A related resource that is included either physically or logically in the described resource. <img src="/themes/exeter/images/resources/309.jpg" alt="" width="422" height="318" /> invisible artwork MOCA Tom Marioni https://siteworks.exeter.ac.uk/files/original/89ab782b86375711c608e70e6cc278bb.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/ac8c772257d247fee5210fa1089fa5b5.MP3 6faeedae9166179854492d34769f03ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: All Night Sculpture Description An account of the resource In ’73 there was a show at MOCA called All Night Sculptures, probably the most interesting show that happened there. It was very serious. Nine artists designed work for all night viewing: installations that had something to do with nighttime or performances that went on for twelve hours from sunset to sunrise. People could come at any time during he night to see the show. Every artist had his or her own room. Mel Henderson built his room into a corner that had a window on one side. There was no door, just a slit to look into. The room was lined with aluminum foil, and outside, visible through the window, were six searchlights aimed at the building next door, which was a parking garage. He lit that building just so you would see it through the little slit.That was really an interesting way to make a space that was about the night. There was a room in MOCA that had been a ladies’ lounge when the space had been a printing company before I moved in. It was a little room where the women employees would rest or smoke or put on makeup. Barbara Smith chose that room and set it up for her performance. She put a mattress on the floor with a sheet on it. Next to it was a table with incense and oils and fruit and flowers. Barbara was naked on the bed, and a tape recorder kept playing the same thing: “Feed me, feed me, feed me,” over and over again. All night, there was a line outside the door, mostly men. A bare light bulb was hanging outside the door. It felt like a street corner. People went in one at a time to have a private session with Barbara. They had a glass of wine or a piece of fruit with her, or had a conversation, or gave her a massage, or had sex. She took some flack from feminists later. They thought she was selling out. She didn’t interpret it in that way at all. She said it was about how men relate to women. Terry Fox built a work in the skylight. You climbed up a ladder and into a little space where you were on your hands and knees under a board. After you crawled out from under the board, you realized that it had a sheet on it and was the size of a bed. The moon shining through the skylight was the only light. There was a metal bowl with a big sponge in it that had been soaked in vinegar. Terry called this piece Memento Mori. Since I was director of MOCA, I could be in the shows only if I was invisible. In this exhibition, my work was presented by another person using his own name. At the time, most people thought it was his art. Frank Youmans was a moldmaker I had met while working in a plaster shop in the ‘60s. I asked him to make a plaster mold of a femake model and then cast it in plaster. It took him all night to do this, and the room he worked in took on the look of a traditional artist’s studio. When he had finished, there was plaster on the floor and the bust of a woman was on the workbench. (Marioni 2003: 100-102) Curator(s): Tom Marioni. Participants: Terry Fox, Mel Henderson, Paul Kos, Stephen Laub, Bonnie Sherk, John Woodall, Joel Glassman, Frank Youmans, Barbara Smith. Date A point or period of time associated with an event in the lifecycle of the resource 20th-21st April 1973 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1973-04-20/1973-04-21 Temporal Coverage Temporal characteristics of the resource. Night Barbara Smith Bonnie Sherk John Woodall Mel Henderson MOCA Paul Kos Terry Fox Tom Marioni https://siteworks.exeter.ac.uk/files/original/1268df8c405932206e82d48b7a374161.jpg 98294567dedefbfe077851b4f0d76a15 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Sound Sculpture IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:15:"Sound Sculpture";} https://siteworks.exeter.ac.uk/files/original/9f7d4820f89fe4371b1709c2c8496d6a.MP3 24d7d130422e6dfd3b602676f050822b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource Exhibitions describes the location and content of 25 exhibitions occurring in the period in permanent, temporary and site-specific locations. Some exhibitions also take the form of conceptual, performative and social artworks, so imbricating the relationship between the SiteWorks collections. Exhibition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: Sound Sculpture As Description An account of the resource I invited nine sculptors to make sound works for my show, which took place on April 10, 1970. Each artist produced sounds by manipulating a material. Terry Fox hit a bowl of water against against the floor and made a sound like bong. Paul Kos trained eight boom microphones at two twenty-five pound blocks of ice. People listened, trying to hear the inauaible sound of the ice. Mel Henderson fired a thirty-calibre rifle in the room, which had about a hundred people in it. Jim Melchert, who was out of town, gave instructions to one of his students, Jim Pomeroy, to perform his work. Pomeroy went to Breen’s Bar and telephoned my space. He had been instructed to let the phone ring fifteen times, then hang up, then put another nickel in and do it again for fifteen rings. The room was filled with people listening to the telephone ring thirty times. That was a good piece. My alter ego, Allan Fish was one of the nine artists in the show […] I announced I would be performing Allan Fish’s piece for him. I climbed to the top of a stepladder and, with my back to the audience, peed into a big galvanized tub. (Marioni 2003: 95-6) Peter McCann laid plastic wrapping material on the floor which popped when arriving visitors walked over it. Me Henderson paced up and down the large loft with a 30-caliber rifle. He took aim and fired a single shot at a film of a tiger being projected on a paper covered saw horse. Just then the telephone rang fifteen times, twice in succession; Jim Melchert had dialed the museum from Breen’s, a famous bar across the street. Alan Fish’s piece was performed by Tom Marioni. Perched atop an eight foot ladder, he pissed into a galvanized washtub. As the tub filled the sound dropped in pitch. He was followed by Terry Fox, who scraped a shovel across the linoleum floor and vibrated a thin plexiglass sheet very fast. Jim McReady paraded four girls wearing shiny nylons down a 3’ by 9’ long rug. As they rubbed their thighs together a swishing sound was heard. Paul Kos, who is known for outdoor works using ice and salt rocks, collaborated wit Richard Beggs, an electronic musician, on a piece in which eleven boom-microphones tried to pick upo the sound of two 25lb blocks of melting ice. For the finale, Arlo Acton distributed several hundred metal crickets and the loft began to ring with chirping sounds. Then he released a polished metal ball hung from the ceiling which smashed into a heavy glass plate. (Anonymous 1970) Curator(s): Tom Marioni Participants: Allan Fish (Tom Marioni), Terry Fox, Paul Kos, Mel Henderson, Jim Melchert, Arlo Acton, Peter McCann, Jim Pomeroy, Richard Beggs, Jim McReady (Marioni 2003:100) Date A point or period of time associated with an event in the lifecycle of the resource 10th April 1970 Has Part A related resource that is included either physically or logically in the described resource. <iframe src="http://archive.org/embed/MFM_1970_04_30_c1" frameborder="0" width="500" height="30"></iframe> Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 3rd floor, 86 3rd Street Date Valid Date (often a range) of validity of a resource. 1970-04-10 Allan Fish Jim Melchert Jim Pomeroy Mel Henderson MOCA Paul Kos Terry Fox Tom Marioni https://siteworks.exeter.ac.uk/files/original/42fc29bfcadad7adee8007eb65a45826.jpg ed3cea192adb88420785bdb904b3bb1e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Pretending to be a Gargoyle IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:27:"Pretending to be a Gargoyle";} https://siteworks.exeter.ac.uk/files/original/9a2184e8615d668a34ee6fa42a85ff17.MP3 312bd146c46aa7f5dad8c391f1153e6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Red Nail Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tony Labat Description An account of the resource Labat nails a long pinky fingernail to the floor of the museum, tearing it off and leaving it behind. (Labat 2005: 198) I was looking at the way the first generation of video and performance artists in California treated the body, and then struggling with the sort of emotional, psychological, and even political content that I wanted to bring into my work. That long pinkie nail was like an extension of the body, and there was a sculptural aspect to it – the maintenance of it, to care for it, and to see how long it could get. Then of course you had the cocaine reference to Miami, to the sort of Cuban image that people weren’t quite familiar with here in San Francisco. So that’s another example of a sort of abstraction that had a subtext. It brought a cultural reference into the minimalist, very formal kind of work that was influencing me at the time. (Labat in Phillips 2008: 150-1) Creator An entity primarily responsible for making the resource Labat, Tony Date A point or period of time associated with an event in the lifecycle of the resource 1979 Spatial Coverage Spatial characteristics of the resource. Museum of Conceptual Art (MOCA), 75 3rd Street, now redeveloped Date Valid Date (often a range) of validity of a resource. 1979-01-01 Cuba MOCA Tony Labat https://siteworks.exeter.ac.uk/files/original/4a122dee0b67c65e8b6c1c395b9bea9b.jpg 98294567dedefbfe077851b4f0d76a15 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 IPTC String date_created:27.10.2012 caption:Sound Sculpture IPTC Array a:2:{s:12:"date_created";s:10:"27.10.2012";s:7:"caption";s:15:"Sound Sculpture";} https://siteworks.exeter.ac.uk/files/original/05d0251993af0a2c4fb12d667476f57b.MP3 9d0cc508f532d8e3c0ffd16c9ceea126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Push Wall Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Terry Fox Description An account of the resource AV: What would you see as your earliest body work? TF: The Push Wall piece. It was like having a dialogue with the wall, exchanging energy with it. I pushed as hard as I could for about eight or nine minutes, until I was too tired to push anymore. I used to park my car every day in that alley and I always looked at those walls but never touched them. Then one day I touched one of the walls, felt its solidity, its belly. I realized we were both the same but we had had no dialogue, in a sense. We normally just walk by these things, not feeling connected to them. AV: You could say that lot of new art is about looking at aspects of reality and realizing the unexpected energy they possess. TF: Oh, sure. For me, in a performance, all the elements have exactly the same weight, including myself. Exactly. And dialogues can take place between them, psychically and physically. When I was pushing the wall, I felt it was somehow alive like a person. (Lippard 2001 [1973]: 214) Creator An entity primarily responsible for making the resource Fox, Terry Date A point or period of time associated with an event in the lifecycle of the resource 1970 Spatial Coverage Spatial characteristics of the resource. Exterior of Museum of Conceptual Art (MOCA), 86 3rd Street Date Valid Date (often a range) of validity of a resource. 1970-01-01 energy MOCA Terry Fox https://siteworks.exeter.ac.uk/files/original/9b8a20b38a2dc217fff10c330de8a886.jpg 52ca33b9de14d3dc21c46522b2a3324e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 844 Height 400 Bit Depth 8 Channels 3 https://siteworks.exeter.ac.uk/files/original/da1db05bddbc1bf0beb3b1007ebfab51.MP3 2ce7a152c1d8727bc84cd7a3e9f3adba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Events Description An account of the resource Events is comprised of the memories, traces and archival remains of 209 discrete and ephemeral artworks that occurred across the city between 1969 and 1984. Installation Installation Subcategory: Performance: Social event Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Museum of Conceptual Art at the San Francisco Museum of Modern Art Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Tom Marioni Description An account of the resource For a period of 6 weeks, aspects of the Museum of Conceptual Art (MOCA), will be located at the San Francisco Museum of Modern Art. Two rooms will be presented – one, a re-created MOCA environment which invites participation; another is a documentation of MOCA’s actual site and location through colour photographs by Paul Hoffman. The MOCA exhibition will have its own hours: open to the public only in the afternoons from 1.00pm on. (Marioni 1979) Creator An entity primarily responsible for making the resource Marioni, Tom Date A point or period of time associated with an event in the lifecycle of the resource 2nd May-14th June 1979 Spatial Coverage Spatial characteristics of the resource. San Francisco Museum of Modern Art, San Francisco War Memorial and Veteran's Building, 401 Ven Ness Avenue, now San Francisco War Memorial and Performing Arts Center Date Valid Date (often a range) of validity of a resource. 1979-05-02/1979-06-14 Temporal Coverage Temporal characteristics of the resource. 1pm onwards daily beer MOCA SFMMA Tom Marioni